The drawing preserves the source's left-to-right slab I, single central round stop, and L arrangement inside one irregular rounded rectan…
Low confidence · Source record
Maker-name gallery · page 8 of 17
Silver makers’ marks beginning with J
632 makers, 774 mark variants whose catalog name begins with J. Named firms first, then initial-style marks. Search every letter in the atlas.
These are reconstructions for comparison. They are not source photographs and cannot authenticate, date, value, or prove provenance. Open the source or the atlas before relying on a resemblance.
J makers on this page
John Lambe (probably)
John Lampfert
The horizontal rounded cartouche two joined cursive initials, including the crossing lower loop, are retained
Low confidence · Source record
Stylized J-like and L-like light forms left to right worn dark horizontal field, including the source's script-like flourish
Low confidence · Source record
John Langford II & John Sebille
Four touching lobes, the top and left initials, right L, lower S, and central stop all retain their source positions
Medium confidence · Source record
John Lauritzen
Reviewed against the source: JOHN L in order and spacing without promoting the rectangular image crop to an enclosure
Low confidence · Source record
Reviewed against the source: JOHN L in order inside exactly one horizontal oval enclosure
Low confidence · Source record
The drawing preserves the source's left-to-right J, stop, L, A, W sequence inside one horizontal rounded rectangular cartouche. The visib…
Medium confidence · Source record
JL as two uppercase serif capitals without punctuation, tightly spaced inside one compact horizontal rectangular cartouche
Low confidence · Source record
John Le Gallais
Source-linked stacked J-like upper form and two lower forms retained within the compact curved boundary
Low confidence · Source record
John Leach
The drawing preserves the source's left-to-right L and E glyphs, including their outlined interior spaces E's stepped internal strokes. I…
Low confidence · Source record
John Letelier Sr.
Uppercase JLT in left-to-right order inside one shallow worn rectangular punch
High confidence · Source record
John Lewis
JL
Low confidence · Source record
John Lias
Compact squared/octagonal outer border with two stacked rows: I/C-like forms above and H/L-like forms below, preserving the row arrangement
High confidence · Source record
John Linnit (probably)
The two linked serif initials in the observed left-to-right arrangement without adding a cartouche
Medium confidence · Source record
John Linnit & William Atkinson
The two-by-two arrangement of four initials square border are retained with no added stops or marks
Medium confidence · Source record
John Love & Co.
J.L&Co in compact mixed-size lettering, with one dot after J, uppercase L, ampersand, uppercase C and lowercase o, inside one long narrow…
Low confidence · Source record
John Lowe
J L arranged left to right inside one compact worn square cartouche
Low confidence · Source record
John MacGregor
The three initials single stop after the first initial are retained in left-to-right order inside the long rectangular punch
Low confidence · Source record
John Macleod Crouch
J M C arranged left to right inside one compact worn rectangular cartouche
Low confidence · Source record
John Manasseh
J-like and M-like forms as a compact unwalled pair
Low confidence · Source record
John Manger
Shield, paired initials, and central stop reproduce the source arrangement without texture or relief
Medium confidence · Source record
John Martin Stockar
The drawing retains the source's upright rounded-square cartouche, the large S-shaped left mark, two separate vertical strokes at right.…
Medium confidence · Source record
John Mathew
Conservative the shield silhouette, lower point, source-supported MA-like internal fragments, and unresolved top-edge contour fragments w…
Low confidence · Source record
John McFarlane
JMF
High confidence · Source record
John McMullen
IM
Low confidence · Source record
John Michael Driver
The rounded horizontal cartouche and three adjacent letter forms preserve source order and open counters
Medium confidence · Source record
John Millington
The pointed shield, central two initials, and one circular form above and below preserve the visible vertical arrangement
Low confidence · Source record
The drawing preserves the upright, left-to-right J.M.B arrangement visible in the source: three letters separated by two stops, enclosed…
Medium confidence · Source record
J M B arranged left to right inside one worn rectangular cartouche
Low confidence · Source record
J·M·B as uppercase J, M, and B separated by exactly two centered dots, all on one line inside one compact horizontal rectangular cartouche
Low confidence · Source record
John Mole
The clipped-corner cartouche, two upright initials, and central point retain the source's left-to-right arrangement
Medium confidence · Source record
John Montgomery
Shield field, upper paired leaf-like elements, centered two-initial inscription with stop, and lower ornament preserve the visible layout
Low confidence · Source record
John Myers
I.Myers
Low confidence · Source record
John Neil van Bogerijen
A horizontal rectangular punch with three initial forms is retained, including the smaller central form between larger outer initials
Low confidence · Source record
John Nevill
I-dot-N is cleanly retained with no cartouche added beyond the visible letterforms
Medium confidence · Source record
John Nicholas Emery
Spaced J N E lettering and clipped-end rectangular cartouche match the source layout
Medium confidence · Source record
John Nicholls
The two initials preserve their left-to-right order and upright rectangular framing
Medium confidence · Source record
John Nowill
Square contour reconstruction preserves the rounded rectangular frame, supported J/N initials, central separator, and orientation
High confidence · Source record
John Nowill & Sons (probably)
The left-to-right initials, single stop, ampersand, and final letter in source order without an enclosing border
Medium confidence · Source record
John Orme II
The rectangular chamfered stamp, I then O lettering, and oval counter are retained in the photographed orientation
Medium confidence · Source record
John Oxley
J•O as uppercase J and O with one centered dot between them, inside one compact horizontal rounded-rectangle cartouche
Low confidence · Source record
John Paul Cooper
The oval punch and its three readable letters, including the P counter, in the source's left-to-right order
Medium confidence · Source record
John Paul Miller
JPM
Low confidence · Source record
John Penfold (probably)
The vertically interlaced ornamental initials and lower loop are reconstructed in their visible upright relationship
Medium confidence · Source record
John Perry
The drawing preserves the source rectangular punch and T-dot-P layout, including its separate central dot and source reading direction
Medium confidence · Source record
Preserves the three-part source arrangement: an upright leaf-like ornament above a central round junction with separate I/P-like lower fo…
Low confidence · Source record
John Philip Acklam
IPA lettering double-line rectangular cartouche are retained in source order
Medium confidence · Source record
John Pinches
The JP monogram reads left-to-right inside the single faceted cartouche; P counter is retained
Medium confidence · Source record