John Lauritzen maker's marks

Compare 2 source-linked mark variants recorded under John Lauritzen. These are reconstructions for comparison, not source photographs or authentication evidence.

2 mark variants2 auction examples1 cited source

John Lauritzen: Reviewed against the source: JOHN L is preserved in order and spacing without promoting the rectangular image crop to an enclosure; line reconstruction.Line reconstructionLineJohn Lauritzen: Reviewed against the source: JOHN L is preserved in order and spacing without promoting the rectangular image crop to an enclosure; AI-assisted oxidized reconstruction.AI-assisted oxidized reconstructionAI oxidized

Mark variant 1 of 2

Low confidence comparison reconstruction.

Reviewed against the source: JOHN L is preserved in order and spacing without promoting the rectangular image crop to an enclosure.

Other recorded variants

1 variant
John Lauritzen: Reviewed against the source: JOHN L is preserved in order inside exactly one horizontal oval enclosure; line reconstruction.LineJohn Lauritzen: Reviewed against the source: JOHN L is preserved in order inside exactly one horizontal oval enclosure; AI-assisted oxidized reconstruction.AI oxidized

Mark variant 2

Low confidence comparison reconstruction.

Reviewed against the source: JOHN L is preserved in order inside exactly one horizontal oval enclosure.

Source record

Source location
Copenhagen
Source dates
John Lauritzen - Copenhagen 1955 - 1981

Market evidence for John Lauritzen

2 examples

Reviewed maker-name auction examples

Prices remain in their original currencies; buyer-premium inclusion is unknown. These are reviewed maker-name auction examples, not proof of an object's attribution.

This maker-level evidence does not value your object. Matching a mark cannot establish authenticity, material, condition or provenance.

Sources and comparison limits

1 cited source

Maker labels and date or location statements follow the cited source records. Similar names across source collections have not been merged. Compare the photographed mark and the complete object before relying on a resemblance.

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