Menchu Gal (Irun, 1918 - 2008). Untitled. Oil on paper. Attached certificate of authenticity issued by the Menchu Gal Foundation.

Lot description

MENCHU GAL (Irun, 1918 - 2008). Untitled. Oil on paper. Attached certificate of authenticity issued by the Menchu Gal Foundation. Measurements: 21 x 30 cm; 45,5 x 54 cm (frame). The nature, specifically the marine was a central thematic axis in the work of Menchu Gal. Trained partly in Paris and linked to the so-called Madrid School, she was able to develop her own language where color takes on a leading role. This work is an example of the expressive force and chromatic freedom that define her outdoor painting. The work shows us a coastal scene captured as an impression, where the elements lose their definition and are configured through a burst of color and energetic brushstrokes. Intense blues, fiery oranges and vibrant greens impose themselves on the white surface that forms part of the scene, generating a sense of almost turbulent movement. The landscape seems to be alive, agitated by a kind of pictorial wind. In this case, nature is not tamed: it invades the space. One of the great Spanish painters of the 20th century, Menchu Gal cultivated mainly landscapes, although she also painted portraits, always with her personal language of extreme, almost expressionist color. In 1959 she won the National Painting Prize, becoming the first woman to receive this prestigious award. She also received the Gold Medal of Guipuzcoa (2005), the Medal of Irun (2006) and the Manuel Lecuona Prize of Eusko Ikaskuntza (2006). Gal began painting in her native Irun, where she was a disciple of Gaspar Montes Iturrioz. She was awarded in the Contest of New Artists of Guipuzcoa in 1932, and before she was fifteen years old she moved to Paris in order to broaden her artistic studies. There she received classes from the master of cubism Amédée Ozenfant, and discovered Matisse and Fauvism. On his return to Spain he continued his training at the San Fernando School of Fine Arts in Madrid, where he was taught by Aurelio Arteta and Vázquez Díaz, among others. After fleeing to France as a result of the Civil War, he returned to Irun and held his first solo exhibition in San Sebastian (1942). In 1943 he settled in the Spanish capital, where he was part of the so-called Madrid School. That same year he participated in a group exhibition held at the Clan gallery with Gutiérrez Solana, Vázquez Díaz, Cossío, Zabaleta, Palencia and others. From then on, her landscapes of La Mancha and Bidasoa would become her hallmark, establishing herself as one of the leading artists of the post-war period. In 1950 she held a solo exhibition at the National Museum of Modern Art in Madrid. An outstanding architect of the renovation of Spanish painting in the forties, valued and recognized in the difficult world of painting since her youth, Menchu Gal was characterized by her free, heterodox and independent spirit, ahead of her time. Throughout her career she starred in a multitude of exhibitions, both in Spain and abroad, in cities such as Venice, Brussels and New York. Particularly noteworthy were the exhibitions he held at the Gulbenkian Foundation in Lisbon in 1971 and at the Conde Duque Cultural Center in Madrid in 1990. In 1992 the Kutxa Foundation dedicated a retrospective exhibition to him, which was published in a catalog that included an in-depth study of his life and work. She also participated in three editions of the Venice Biennale. Menchu Gal is currently represented at the Reina Sofía Museum in Madrid and the Bilbao Fine Arts Museum, among others. In January 2010 an exhibition hall bearing her name was inaugurated in Irun, the first step of the future Museum of Painters of Bidasoa. Certificate of authenticity issued by the Menchu Gal Foundation is attached.