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Lot description
Characteristic of Teng’s technique, the controlled application of wax outlines defines the architectural structures, while the flowing dyes imbue the composition with a painterly softness unique to batik. This interplay between structure and fluidity is a hallmark of his oeuvre, demonstrating his technical mastery and artistic sensitivity. Painted during a pivotal decade when Malaysian modern art was gaining identity and international recognition, Fishing Villagescape I and II, Penang stands as both a cultural document and an aesthetic achievement. It reflects Teng’s enduring fascination with local landscapes and communities, while affirming his legacy as the pioneer who transformed batik into a distinguished medium of modern expression.