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Lot description
H.R. Ocampo (1911 - 1978) Signed and dated '76' (1976, lower left) Acrylic on canvas 81 x 61 cm (32 x 24 in) Provenance: Acquired by the current owner from the artist's son-in-law In the late 1970s, as National Artist H.R. Ocampo approached the final chapters of his illustrious career, he continued to make remarkable advancements in his artistic practice, creating some of his most significant and influential works. Renowned for his pioneering contributions to modernist art, Ocampo employed abstraction and symbolism to explore the complexities of human existence. This transformative period in his life and career saw his artwork evolve to reflect a deeper engagement with existential themes, as well as the societal shifts occurring around him. It marked a time of profound experimentation, during which Ocampo pushed the boundaries of abstract art even further. His canvases from this era exhibit a powerful fusion of emotive expression and technical innovation, highlighting his role as a leading figure in Philippine modern art and solidifying his legacy as a visionary within the abstract movement. The artworks he produced during this phase--referred to as the 'Visual Melody Period'--are particularly notable for their intricate compositions, characterized by the interplay of abstract shapes and vibrant colors that create a rich visual language. In Angel G. de Jesus' 1979 publication, H.R. Ocampo: The Artist as Filipino, Ocampo articulated to the author his aspiration to achieve "pure painting," comparing it to the delicate nuances found in chamber music. This philosophy is evident in the two lots currently on offer, which exemplify his keen focus on the interactions among shapes, colors, values, textures, and lines within the spatial context of his compositions, rather than merely striving for a photographic representation of the natural world. By emphasizing the relationships between these elements, Ocampo's work encourages viewers to engage in a unique dialogue, inviting them to experience a deeper emotional and aesthetic journey that transcends straightforward depiction. The provenance of these two paintings further underscores their importance within Ocampo's oeuvre. Acquired directly from one of the artist's sons-in-law, these pieces, which were in the family's collection for nearly 50 years, carry a personal history that enriches their significance. Reference: Angel G. De Jesus, H.R. Ocampo: The Artist as Filipino, Heritage Publishing House, Quezon City, 1979
