Michele Marieschi Auction Prices and Value Guide

Michele Marieschi auction prices are tracked in Appraisily's artist market index, with source-directory coverage of 314 records. Use this page to review sold-lot activity, market context, and valuation factors before requesting a formal appraisal.

Michele Marieschi auction prices: quick answer

Michele Marieschi auction prices depend on medium, size, date, condition, provenance, edition details, attribution confidence, and recent comparable auction sales.

Artist
Michele Marieschi
Source records
314
Market update
2026-02-06

Michele Marieschi market snapshot

Michele Marieschi shows solid auction liquidity with 134 tracked lots. Median realized sale is around $10,625. Category concentration is still broad or sparse. Last 12 months recorded 16 sales. Latest recorded sale: 2025-12-10.

Realized price distribution

  • Under $1,000 (29.5% · 26 sales)
  • $1,000 to $10,000 (19.3% · 17 sales)
  • $10,000+ (51.1% · 45 sales)
Median sale (last 12 months)
$14,000
Sales recorded (last 12 months)
16
Median shift vs prior year
0.0%
Latest recorded sale
2025-12-10

Artist context

About Michele Marieschi

Michele Marieschi portrait
Rijksmuseum · CC0 · Source

Born

1710

Died

1743

Nationality

Italian

Also known as

Michele Giovanni Marieschi, Michiel Marieschi

Michele Marieschi was an eighteenth-century Venetian painter and engraver, generally dated 1710–1743 in the stronger clustered authority records. He is best known for vedute—city views—of Venice, alongside landscapes and architectural compositions. These subjects place him within Venice's view-painting culture, where recognizable urban settings and imaginative architectural staging could coexist. His recorded activity also includes printmaking: library catalogues identify him as an engraver and associate his name with Magnificentiores selectioresque urbis Venetiarum prospectus, a series of Venetian views. Collectors may therefore encounter Marieschi's name on both paintings and prints, rather than on a single type of object. The identity record requires care: another authority cluster gives 1696 as his birth year, while some records vary the death year between 1743 and 1744. Appraisily uses 1710–1743 as the best-supported working chronology while preserving those conflicts for further research.

Venetian veduta and view-painting traditionPaintingEngraving and printmakingVenetian cityscapes and veduteLandscapesArchitectural compositions

Common works and media

Works associated with Marieschi most commonly include painted Venetian views or vedute, broader landscapes, and architectural compositions. Engravings and other prints also appear in the documented record, especially views connected with Magnificentiores selectioresque urbis Venetiarum prospectus. Because paintings and prints are materially different categories, a collector should identify the work type and subject before selecting comparable auction records.

Market and appraisal context

Appraisal begins by establishing whether a work is a painting or a print and then classifying its subject as a Venetian veduta, landscape, or architectural composition. Prints can be compared with the documented Venice-view series and its recorded subjects, while paintings should be assessed against closely related works rather than an artist-wide average. The split authority record makes precise cataloguing important but does not, by itself, prove or disprove attribution. When comparable public auction records are available, medium, subject, sale date, and realized price provide useful context. The present source pack lacks detailed major-auction-house evidence, so it does not support a price trend, scarcity claim, or forecast.

Auction categories and appraisal factors

Common auction categories

  • Venetian veduta and cityscape paintings
  • Landscape and architectural paintings
  • Engravings and prints depicting Venice or architectural subjects

Value drivers

  1. Work type and medium, particularly the distinction between a painting and an engraved print
  2. Subject classification, including whether a work is a Venetian veduta, landscape, or architectural composition
  3. A print's documented relationship to the Magnificentiores selectioresque urbis Venetiarum prospectus series
  4. Comparable public auction records for works with closely matching medium and subject, including sale dates and realized prices when available
  5. Consistency of attribution and cataloguing in light of conflicting authority records for the artist's birth year

Appraisal caveats

  • The collected source pack does not contain a detailed major-auction-house biography or lot essay, so no price trend, scarcity claim, or forward valuation is asserted.
  • Authority sources conflict on the birth year, with 1710 and 1696 both represented; object-level attribution should not be inferred from biographical dates alone.
  • The existence of auction records does not establish that every catalogued work has the same attribution status, medium, subject, or evidentiary quality.

Evidence

Sources for artist context

This source-grounded artist context is based on collected public records: medium confidence, adequate source quality.

Source-grounded artist Markdown

Data basis

This page is built from Appraisily's public auction market index. Private transactions, incomplete sale feeds, and attribution changes may not be fully represented.

LLM-readable Markdown summary for Michele Marieschi

LLM summary index · LLM full index

Artist value FAQ

How much is Michele Marieschi worth?

Comparable public auction sales are the best starting point, but final value depends on the specific artwork, condition, size, medium, provenance, and attribution confidence.

Can Appraisily value my Michele Marieschi artwork?

Yes. Appraisily can review photos, dimensions, signatures, condition, provenance, and comparable market data to prepare a current valuation.