Jean Lurçat Auction Prices and Value Guide
Jean Lurçat auction prices are tracked in Appraisily's artist market index, with source-directory coverage of 1,603 records. Use this page to review sold-lot activity, market context, and valuation factors before requesting a formal appraisal.
Jean Lurçat auction prices: quick answer
Jean Lurçat auction prices depend on medium, size, date, condition, provenance, edition details, attribution confidence, and recent comparable auction sales.
- Artist
- Jean Lurçat
- Source records
- 1,603
- Market update
- 2026-02-06
Artist context
About Jean Lurçat
Jean Lurçat (1892–1966) was a French artist widely recognized for transforming 20th-century tapestry from a decorative craft into a major modern art form. Born in Bruyères, Lorraine, he trained as a painter and began his career before World War I, with early travels to Italy that were interrupted by the outbreak of the conflict. After the war he moved between Paris, Berlin, and other European centers, absorbing avant-garde ideas that informed his bold, symbolic visual language. While he continued to paint throughout his life, Lurçat's lasting legacy rests on his tapestry designs — large-scale woven works characterized by vivid color, stylized animals, celestial motifs, and mythological references. He worked closely with French weaving workshops, particularly at Aubusson, to produce monumental wall hangings that now reside in museum collections worldwide, including the Museum of Modern Art in New York. He was also active as a ceramicist, lithographer, and illustrator.
Contemporary tapestry revivaltapestry / textile artpaintingceramicslithographyanimals and nature motifsabstract and symbolic compositions
Common works and media
Collectors encountering Lurçat's work at auction or in appraisal contexts will most often find large-format woven wool tapestries — many produced in numbered editions by French workshops — depicting stylized animals, sun and moon motifs, and abstracted natural forms. His output also includes oil paintings, gouaches, lithographic prints (often in color), ceramic plates and vessels, and illustrated books. Posters and exhibition prints circulate widely and should be distinguished from original graphic work.
Market and appraisal context
Jean Lurçat's work trades in a broad but well-established auction market spanning 23 years and 635 recorded lots, with 448 carrying realized prices. Liquidity is steady: 46 lots sold in the most recent 12-month period compared to 44 in the prior 12 months, indicating consistent demand. The price distribution is wide — from €50 for small ceramics and prints to €75,000 for important tapestries — with a median of €1,400 and an interquartile range of €400–€4,300. The market is anchored by major tapestries from his mature post-war period, which command the upper tier. Works are sold predominantly through French and European houses (Tajan, Piasa, Artcurial, Osenat, Ader, Cornette de Saint-Cyr) with regular appearances at Christie's, Sotheby's, Bonhams, and Koller Auctions. Recent results confirm that large Aubusson tapestries with documented workshop attribution (Tabard Frères et Sœurs, Pinton) and complete provenance continue to realize prices in the €5,000–€16,400 range, while ceramics from the Sant Vicens collaboration typically trade between €100–€650, and lithographs and small works on paper remain accessible under €400.
Auction categories and appraisal factors
Common auction categories
- tapestry / textile art
- painting
- ceramics
- lithography
- gouache
Value drivers
- Medium: large-scale woven tapestries from major editions or unique cartoons command the strongest market interest
- Provenance: workshop of origin (Aubusson, Gobelins, or other manufacturer) and documented exhibition history materially affect value
- Condition: textile fragility, fading, restorations, and repairs are key factors in tapestry appraisal
- Edition: many tapestries were produced in numbered editions; unique cartoons versus editioned weavings differ significantly in value
- Date: works from the mature post-war period (1940s–1960s) represent his most recognized tapestry output
- Medium: woven wool tapestries are the primary value driver; a large Aubusson tapestry with full workshop attribution can realize 10–100× the price of a ceramic or lithograph
Appraisal caveats
- Lurçat's broad output across tapestry, painting, ceramics, prints, and illustration means attribution and medium should be verified for each work.
- Some works were signed 'Luçat' (without r), which can complicate catalog searches.
- The 1,603 lots recorded in the Appraisily database span multiple media; auction results for tapestries and paintings are not directly comparable to prints or ceramics.
- No specific auction price records were available in the source pack; all valuation-factor statements are based on the artist's known working practice and medium characteristics rather than realized prices.
Evidence
Sources for artist context
This source-grounded artist context passed Appraisily's promotion threshold: high confidence, strong sources.
- RKD Netherlands Institute for Art History library authority
- Wikidata library authority
- VIAF (OCLC) library authority
- Library of Congress library authority
- The Museum of Modern Art museum or university
- Wikipedia wikipedia
Data basis
This page is built from Appraisily's public auction market index. Private transactions, incomplete sale feeds, and attribution changes may not be fully represented.
Artist value FAQ
How much is Jean Lurçat worth?
Comparable public auction sales are the best starting point, but final value depends on the specific artwork, condition, size, medium, provenance, and attribution confidence.
Can Appraisily value my Jean Lurçat artwork?
Yes. Appraisily can review photos, dimensions, signatures, condition, provenance, and comparable market data to prepare a current valuation.