Paul Paeschke Auction Prices and Value Guide
Paul Paeschke auction prices are tracked in Appraisily's artist market index, with source-directory coverage of 362 records. Use this page to review sold-lot activity, market context, and valuation factors before requesting a formal appraisal.
Paul Paeschke auction prices: quick answer
Paul Paeschke auction prices depend on medium, size, date, condition, provenance, edition details, attribution confidence, and recent comparable auction sales.
- Artist
- Paul Paeschke
- Source records
- 362
- Market update
- 2026-02-16
Artist context
About Paul Paeschke
Paul Paeschke (1875–1943) was a German painter, engraver, and etcher who worked primarily in Berlin throughout a career spanning nearly five decades. Born in Berlin on 27 February 1875, he studied under Karl Köpping and was active from approximately 1895 until his death in Berlin on 11 June 1943. Paeschke is documented in major art-historical references including Thieme/Becker and Vollmer's lexicons. His entry in the 1928 Summer Olympics art competition places him among the German artists whose work was exhibited on an international stage during the interwar period. Known subjects in his oeuvre include floral still-life compositions. With 362 recorded auction appearances, his work circulates regularly in the European art market, primarily as prints and works on paper.
etchingprintmakingpaintingflower pieces
Common works and media
Common works by Paul Paeschke encountered at auction include etchings, engravings, and paintings. His documented subjects encompass flower pieces and still-life compositions. Prints — particularly etchings — represent the most frequently seen medium. Works on paper, including drawings and print impressions, may also appear. Collectors encountering Paeschke's work should examine plate marks, paper quality, and signature consistency for prints, and canvas condition and provenance documentation for paintings.
Market and appraisal context
Paeschche's work appears most frequently at auction as etchings and engravings, with paintings forming a smaller segment of the market. Collectors should consider medium (print versus painting), subject matter, plate condition for prints, edition details, and provenance when evaluating works. His documented training under Karl Köpping and inclusion in standard German art lexicons support attribution confidence, though no catalogue raisonné is referenced in public sources. Comparable auction results for Berlin-school printmakers of the late 19th and early 20th centuries provide useful market context.
Auction categories and appraisal factors
Appraisal caveats
- No catalogue raisonné is referenced in available sources; attribution should be cross-checked with Thieme/Becker and Vollmer entries.
- Published auction records are limited in the public source pack; appraisal should consult dedicated auction databases for comparable sale results.
Evidence
Sources for artist context
This source-grounded artist context passed Appraisily's promotion threshold: high confidence, strong sources.
- RKD — Netherlands Institute for Art History library authority
- Wikidata library authority
- VIAF (OCLC) library authority
- Getty Vocabulary Program library authority
- Wikipedia wikipedia
Data basis
This page is built from Appraisily's public auction market index. Private transactions, incomplete sale feeds, and attribution changes may not be fully represented.
Artist value FAQ
How much is Paul Paeschke worth?
Comparable public auction sales are the best starting point, but final value depends on the specific artwork, condition, size, medium, provenance, and attribution confidence.
Can Appraisily value my Paul Paeschke artwork?
Yes. Appraisily can review photos, dimensions, signatures, condition, provenance, and comparable market data to prepare a current valuation.