# W. Tatton Winter artist context and auction value notes

Canonical page: https://appraisily.com/artist/w-tatton-winter/
Profile generated: 2026-08-24T15:18:50.692Z
Quality: medium confidence, adequate sources

## Artist identity

- Nationality: British
- Common media: Painting

## About W. Tatton Winter

William Tatton Winter (1855–1928), also identified by the abbreviated name W. Tatton Winter, was a British painter. Stable profiles at Getty ULAN, VIAF, RKDartists, and Art UK connect the initialed form with his full name, helping distinguish his work from unrelated artists with the surname Winter. The collected material does not establish a specific movement or school, so none should be assigned without further evidence. One documented work, The Marsh Mill, is described as a landscape painting associated with the Mercer Art Gallery in Harrogate. This supports landscape painting as part of Winter’s practice, although a single institutional example cannot define the full range of his work. Collectors may encounter records under either the full or abbreviated name. Research should therefore reconcile those name forms with the artist’s institutional identifiers and examine the evidence attached to each object before reaching conclusions about authorship or context.

## Common works and media

The source pack confirms painting as Winter’s field and documents one landscape painting, The Marsh Mill. It does not establish a broader recurring range of media, subjects, editions, prints, drawings, or other work types. Objects presented under either W. Tatton Winter or William Tatton Winter should be researched individually rather than assigned to an unsupported category.

## Market and appraisal context

Appraisily’s public artist page signals an auction-record dataset for W. Tatton Winter, but the collected pack does not expose individual lot descriptions, sale dates, realized prices, condition reports, or major-auction-house cataloguing. This limits what can responsibly be said about his market. A collector should compare an object only with records that can be verified as works catalogued under the same artist identity and should avoid inferring trends from the record count alone. The documented landscape painting The Marsh Mill may help orient object research, but one institutional example cannot establish category frequency or typical market behavior. Any appraisal conclusion should therefore be tied to reviewed comparable lots once their work type, sale context, and reported result are available.

## Appraisily data basis

Appraisily artist pages combine artist-identity research with auction records and, when accessible, auction-house context, sale dates, realized prices, and comparable lots. This profile keeps identity evidence separate from market conclusions that require review of individual records.

## Sources

- Wikidata: https://www.wikidata.org/wiki/Q21466543
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500086508
- VIAF: https://viaf.org/viaf/96307438/
- RKD: https://rkd.nl/en/explore/artists/85013
- Art UK: https://artuk.org/discover/artists/winter-william-tatton-18551928
- Appraisily: https://appraisily.com/artist/w-tatton-winter/
- Wikimedia Commons: https://commons.wikimedia.org/wiki/File:The_Marsh_Mill_by_William_Tatton_Winter.jpg