# Vladimir Jankilevskij artist context and auction value notes

Canonical page: https://appraisily.com/artist/vladimir-jankilevskij/
Profile generated: 2026-05-30T05:20:17.545Z
Quality: high confidence, strong sources

## Artist identity

- Birth date: 1938-10-15
- Nationality: Russian
- Movements: Soviet nonconformist art
- Common media: painting, graphic art, installation, assemblage, photography, drawing

## About Vladimir Jankilevskij

Vladimir Jankilevskij (1938–2018) was a Russian painter, graphic artist, and assemblage maker based in Moscow, widely recognized as a leading figure in the Soviet nonconformist art movement. Active from the early 1960s through the end of his life, Jankilevskij is best known for his large-scale triptychs, which combine surreal, often unsettling imagery to explore themes of psychological confinement, the human body, and the oppressive atmosphere of daily Soviet existence. His participation in the landmark 1962 Manezh exhibition in Moscow — an event famously denounced by Nikita Khrushchev — placed him at the center of one of the most consequential episodes in twentieth-century Russian cultural history. His work spans painting, drawing, printmaking, installation, and assemblage, and is held in major institutional collections including the Museum of Modern Art in New York.

## Common works and media

Jankilevskij worked across a broad range of media. His most distinctive output includes large-scale painted triptychs, mixed-media assemblages incorporating found objects, ink and graphite drawings, graphic prints, and photographic works. Recurring subjects include fragmented or distorted human figures, surreal anatomical forms, and densely layered compositions evoking psychological tension. Works on paper — including studies and preparatory drawings for his triptychs — also appear with some regularity in auction and gallery contexts.

## Market and appraisal context

Jankilevskij's work appears at auction primarily under Post-War and Contemporary Art and Russian Art categories. His paintings, graphic works, and mixed-media assemblages are the formats most commonly encountered by collectors. Works from the 1960s through the 1980s — the period of his most celebrated triptychs and nonconformist production — tend to attract the strongest market interest. Provenance linking a work to documented exhibitions or notable Soviet-era collections can materially affect appraisal value. Collectors should note that transliteration variants of his name (Yankilevsky, Jankilevskij, Jankilevski) across catalogues may complicate search and attribution verification.

## Appraisily data basis

Appraisily artist pages combine structured artist-identity research from library authorities, museum records, and published references with available auction-house sale records, provenance data, realized prices, and comparable lot results. The identity profile for this artist draws on the Getty Union List of Artist Names, VIAF, Wikidata, the RKD Netherlands Institute for Art History, and the artist's official website, supplemented by biographical context from encyclopedic sources.

## Sources

- RKD Netherlands Institute for Art History: https://rkd.nl/en/explore/artists/293708
- RKD Netherlands Institute for Art History: https://rkd.nl/en/explore/artists/271896
- Wikidata: https://www.wikidata.org/wiki/Q4538104
- VIAF: https://viaf.org/viaf/97149512/
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500048715
- Wikipedia: https://en.wikipedia.org/wiki/Vladimir_Yankilevsky
- Artist estate: http://vladimiryankilevsky.com/
- The Museum of Modern Art: https://www.moma.org/artists/26271
- Library of Congress: https://id.loc.gov/authorities/names/n90727857
