# Takeji Asano artist context and auction value notes

Canonical page: https://appraisily.com/artist/takeji-asano/
Profile generated: 2026-08-24T20:52:31.138Z
Quality: medium confidence, adequate sources

## Artist identity

- Nationality: Japanese
- Common media: Japanese-style painting, Printmaking

## About Takeji Asano

Takeji Asano (1900–1998), also identified in Japanese as 浅野竹二, was a Japanese painter and printmaker associated with Kyoto. Japanese-language reference material describes him as a practitioner of Japanese-style painting as well as printmaking, while international authority files connect his Romanized and Japanese names. Collectors are therefore most likely to encounter Asano through paintings, prints, and other works on paper rather than through a single firmly documented movement or series. His presence in museum and library authority systems helps distinguish his work from similarly named artists and supports more reliable catalogue matching. The available public source pack is stronger on identity than on a detailed career chronology: it does not establish exact birth and death dates, named movements, recurring subjects, training, or a documented sequence of artistic periods. Those details should remain open unless supported by fuller museum, scholarly, or catalogue evidence.

## Common works and media

Auction and appraisal contexts for Takeji Asano most plausibly include Japanese-style paintings, prints, and other works on paper. The collected sources do not establish a definitive catalogue of subjects, named series, print techniques, or edition practices, so those characteristics should be recorded from the individual object and corroborated through inscriptions, seals, catalogue references, and comparable documented works.

## Market and appraisal context

Takeji Asano's auction history should be assessed through closely matched examples, especially works sharing a medium, dimensions, date, subject, and comparable attribution status. For prints, edition information, inscriptions, paper condition, margins, color, and evidence of later impressions may be relevant; for paintings, surface condition, restoration, support, and provenance deserve particular attention. Signature or seal evidence should be considered alongside, rather than in place of, reliable attribution. Public auction results can establish a comparison range, but incomplete feeds, private transactions, differing fee conventions, and changes in attribution limit direct comparisons. A reasoned appraisal should therefore examine the individual object and use recent, like-for-like public sales as supporting evidence rather than treating an overall artist median as a prediction.

## Appraisily data basis

Appraisily artist pages combine public artist-identity research with matched auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are available. Public records are evidence for comparison, not a substitute for object-specific examination, attribution, provenance, and condition review.

## Sources

- Wikidata: https://www.wikidata.org/wiki/Q11557400
- VIAF: https://viaf.org/viaf/4797982/
- Library of Congress: https://id.loc.gov/authorities/names/nr92042524
- British Museum: https://www.britishmuseum.org/collection/term/BIOG174849
- Wikipedia: https://ja.wikipedia.org/wiki/%E6%B5%85%E9%87%8E%E7%AB%B9%E4%BA%8C
- Appraisily: https://appraisily.com/artist/takeji-asano/