# Suzanne Bergeron artist context and auction value notes

Canonical page: https://appraisily.com/artist/suzanne-bergeron/
Profile generated: 2026-08-24T14:34:12.511Z
Quality: medium confidence, adequate sources

## Artist identity

- Nationality: Canadian
- Movements: Abstract art
- Common media: Painting, Gouache

## About Suzanne Bergeron

Suzanne Bergeron (1930–1998) was a Canadian painter associated in public reference sources with abstract and semi-abstract work. Library authority records identify her as a Canadian painter, while available biographical summaries describe portraits, figures, and landscapes, often organized through cool-toned, abstracted forms. Authority-linked titles also point to recurring imagery involving harbors, boats, flowers, gardens, dancers, and suburban or architectural settings. These records suggest that collectors may encounter both recognizable subjects and compositions in which forms have been simplified or reorganized. Bergeron's documented public identity remains comparatively concise: the available source pack contains authority records and encyclopedia-style summaries but no museum biography, artist foundation, or catalogue raisonné. Her work should therefore be matched through several signals—including name, life dates, title, medium, signature, and provenance—rather than through the artist name alone. No formal affiliation with a named artists' group or school is established by the collected sources.

## Common works and media

Available sources primarily identify Bergeron as a painter. Public descriptions associate her with abstract or semi-abstract portraits, figures, and landscapes, while authority-linked titles refer to harbors, boats, flowers, gardens, dancers, and suburban scenes. One supplied auction entry identifies a gouache composition, supporting works on paper as a documented auction format. Evidence for sculpture, editions, or prints is much weaker and comes only from broad category labels on the current market page, so those classifications should be verified against the individual object and lot record.

## Market and appraisal context

The collected public market evidence for Suzanne Bergeron is limited, so individual comparable lots matter more than a headline median. The supplied Appraisily page reports a small body of tracked sales, but its summary contains conflicting record counts and date ranges. For appraisal purposes, compare a work with sales sharing its medium, dimensions, date, subject, condition, and attribution strength. Signature and inscription details, restoration history, provenance, exhibition documentation, and catalogue references may also affect comparability. Reported auction figures should be checked for currency and whether buyer premiums or other fees are included. Private sales and incomplete feeds may leave gaps, while the uncorroborated matched name “Suzanne Suhit” creates an additional identity-resolution risk. A valuation conclusion should rely on verified individual records and physical examination rather than the aggregate summary alone.

## Appraisily data basis

Appraisily artist pages combine public artist-identity research with matched auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are available. Sparse, conflicting, or unverified records are treated as leads rather than conclusive evidence.

## Sources

- Wikidata: https://www.wikidata.org/wiki/Q55219428
- VIAF: https://viaf.org/viaf/316911687/
- Wikipedia: https://en.wikipedia.org/wiki/Suzanne_Bergeron
- Wikipedia: https://fr.wikipedia.org/wiki/Suzanne_Bergeron
- Appraisily: https://appraisily.com/artist/suzanne-bergeron/