# Sherrie Levine artist context and auction value notes

Canonical page: https://appraisily.com/artist/sherrie-levine/
Profile generated: 2026-05-29T18:08:44.100Z
Quality: high confidence, strong sources

## Artist identity

- Birth date: 1947-04-17
- Nationality: American
- Movements: Postmodernism, Pictures Generation, Appropriation Art, Conceptual Art
- Common media: photography, painting, digital prints, sculpture

## About Sherrie Levine

Sherrie Levine (born 1947, Hazleton, Pennsylvania) is an American photographer, painter, and conceptual artist whose work has been central to postmodern art since the early 1980s. She studied at the University of Wisconsin, Madison, and emerged as a leading figure in the Pictures Generation, a group of artists who examined the role of images in mass culture. Levine is best known for her exact photographic reproductions of works by canonical modernist photographers such as Walker Evans, Edward Weston, and Eliot Porter. By rephotographing and presenting these images as her own, she challenged prevailing ideas about originality, authorship, and the cultural authority of the art historical canon. Her practice extends into painting, sculpture, and digital media, consistently interrogating how meaning is produced through reproduction. Major institutions including MoMA and Tate hold her work in their permanent collections.

## Common works and media

Levine's auction and appraisal appearances most often include gelatin silver prints and chromogenic prints from her rephotography series, particularly those referencing Walker Evans, Edward Weston, and Eliot Porter. Her paintings on wood panel, which replicate found imagery such as knot patterns and currency designs, also appear on the market. Sculptural works referencing modernist icons like Brancusi and Duchamp have been sold at major houses. Collectors may also encounter digital prints, works on paper, and editioned multiples across her career.

## Market and appraisal context

Sherrie Levine's works appear across several auction categories, including Post-War and Contemporary Art, Photographs, and Prints and Multiples. Valuation depends heavily on the specific medium, edition size, series, provenance, and exhibition history. Photographic works from her well-known appropriation series, such as After Walker Evans and After Edward Weston, are the most frequently encountered at auction. Because Levine's practice deliberately engages with ideas of copying and reproduction, authentication and clear provenance are especially important factors. Collectors should verify edition details, consult comparable auction records, and consider condition reports for photographic and print-based works.

## Appraisily data basis

This Appraisily artist page draws on published artist identity records from Getty ULAN, VIAF, Wikidata, and the RKD Netherlands Institute for Art History, alongside museum collection records from MoMA and Tate. When available, auction records, sale dates, realized prices, and comparable lots from major auction houses further inform the market context presented here.

## Sources

- RKD Netherlands Institute for Art History: https://rkd.nl/en/explore/artists/49764
- Wikidata: https://www.wikidata.org/wiki/Q319569
- VIAF: https://viaf.org/viaf/96561415/
- The Museum of Modern Art: https://www.moma.org/artists/3515
- Tate: https://www.tate.org.uk/art/artists/sherrie-levine-2753
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500118782
- Wikipedia: https://en.wikipedia.org/wiki/Sherrie_Levine
- Library of Congress: https://id.loc.gov/authorities/names/n87865261