# Serge Brignoni artist context and auction value notes

Canonical page: https://appraisily.com/artist/serge-brignoni/
Profile generated: 2026-08-24T14:18:12.549Z
Quality: medium confidence, adequate sources

## Artist identity

- Birth date: 1903-10-12
- Death date: 2002-01-06
- Nationality: Swiss
- Movements: Swiss avant-garde context
- Common media: Painting, Sculpture, Engraving and prints, Collage, Works on paper

## Portrait

![Serge Brignoni](https://upload.wikimedia.org/wikipedia/en/3/3a/Photo_of_Serge_Brignoni.jpg)
Serge Brignoni · see-source-page
Source: https://en.wikipedia.org/wiki/Serge_Brignoni

## About Serge Brignoni

Serge Brignoni (1903–2002) was a Swiss artist whose practice crossed painting, sculpture, engraving, collage, and work on paper. Authority records identify him under both Serge and Sergio Brignoni, while museum and library profiles establish a durable public identity for the artist. He is commonly described in an avant-garde context, although the collected institutional excerpts do not assign him to one specific movement. Bibliographic records show sustained activity across the twentieth century: one exhibition catalogue covers paintings and sculptures from 1924 to 1963, and another addresses works with and on paper from 1922 to 1984. Collectors may therefore encounter his name on objects in several formats rather than in a single signature medium. This breadth makes careful identification of the object type, technique, date, and authorship especially important. Brignoni was also a collector of non-European art, but works made by him should be distinguished from objects associated with his personal collection.

## Common works and media

Works associated with Serge Brignoni may include paintings, sculptures, collages, engravings, prints, drawings, and other works on paper. Library records specifically document exhibitions or publications devoted to paintings and sculptures and to a long span of paper-based work. Because formats vary, cataloguing should record the medium, support, dimensions, stated date, and basis of attribution before comparing an object with auction results.

## Market and appraisal context

Brignoni’s market should be approached by first identifying the object type: paintings, sculptures, collages, engravings, and other works on paper are all documented in the public identity record. A stated date may help place an object against published catalogue spans, but those ranges are publication scopes rather than a complete catalogue raisonné. Attribution should remain separate from stylistic resemblance because the artist worked in several media. Appraisily’s artist inventory indicates recurring auction coverage, yet the collected source pack contains no major-auction-house analysis, condition report, provenance discussion, or evaluated price series. An appraisal should therefore rely on the specific object and suitably matched public sales rather than a generalized price prediction.

## Appraisily data basis

Appraisily artist pages combine public artist-identity research with auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are available. Source gaps and unverified market conclusions are kept explicit.

## Sources

- Wikidata: https://www.wikidata.org/wiki/Q1484055
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500032490
- VIAF: https://viaf.org/viaf/25393506/
- IdRef: https://www.idref.fr/069943435
- The Museum of Modern Art: https://www.moma.org/artists/778
- Wikipedia: https://en.wikipedia.org/wiki/Serge_Brignoni
- Wikipedia: https://fr.wikipedia.org/wiki/Serge_Brignoni
- Wikipedia: https://de.wikipedia.org/wiki/Serge_Brignoni
- Appraisily: https://appraisily.com/artist/serge-brignoni/