# Rosemarie Trockel artist context and auction value notes

Canonical page: https://appraisily.com/artist/rosemarie-trockel/
Profile generated: 2026-08-24T22:23:01.557Z
Quality: medium confidence, adequate sources

## Artist identity

- Nationality: German
- Movements: Conceptual art
- Common media: Drawing, Painting, Sculpture, Video, Installation, Mixed media, Machine knitting and textile-based pictures

## About Rosemarie Trockel

Rosemarie Trockel is a German conceptual artist born in 1952. Her practice crosses drawing, painting, sculpture, video, installation, and mixed media, resisting identification with a single material or format. She is especially associated with pictures produced using knitting machines, a body of work she began making in 1985. The use of mechanized knitting places a medium often connected with domestic craft into dialogue with the conventions of painting and contemporary art. Trockel has also worked in academic life; the supplied German biographical source identifies her as a former professor at the Kunstakademie Düsseldorf, serving there until 2016. Collectors may consequently encounter her name across materially different objects rather than one uniform category. Drawings and paintings can appear alongside textile-based pictures, sculptures, videos, and installation-related works. Establishing the exact medium, date, and relationship to a documented part of her practice is therefore important when identifying or comparing a work.

## Common works and media

Works associated with Trockel include drawings, paintings, sculptures, videos, installations, mixed-media objects, and textile-based pictures produced with knitting machines. In auction and appraisal settings, works on paper, paintings, sculptural objects, and machine-knitted works may require separate comparison groups because their materials and formats differ substantially. The supplied sources do not document a complete catalogue of editions, subjects, or named series.

## Market and appraisal context

Rosemarie Trockel's varied practice makes object-level comparison essential. A drawing, sculpture, mixed-media object, or machine-knitted picture should not be evaluated as though each belonged to the same market category. The work's date and its documented relationship to the knitting-machine pictures begun in 1985 may help define an appropriate comparison set. Public auction records can provide sale dates, realized prices, and comparable lots when suitable records exist, but the supplied source pack does not contain detailed lot histories or an auction-house market analysis. Any appraisal should therefore verify the object's identity and physical characteristics before using public results as evidence, and should avoid treating a broad artist-level price range as a prediction for an individual work.

## Appraisily data basis

Appraisily artist pages combine public artist-identity research with auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are available. Source limitations are retained so that identity evidence and market evidence are not overstated.

## Sources

- Wikidata: https://www.wikidata.org/wiki/Q65990
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500033164
- The Museum of Modern Art: https://www.moma.org/artists/5933
- Tate: https://www.tate.org.uk/art/artists/rosemarie-trockel-2066
- VIAF: https://viaf.org/viaf/95885856/
- Library of Congress: https://id.loc.gov/authorities/names/n86119725
- Wikipedia: https://en.wikipedia.org/wiki/Rosemarie_Trockel
- Wikipedia: https://nl.wikipedia.org/wiki/Rosemarie_Trockel
- Wikipedia: https://de.wikipedia.org/wiki/Rosemarie_Trockel
- Appraisily: https://appraisily.com/artist/rosemarie-trockel/