# Roger Raveel artist context and auction value notes

Canonical page: https://appraisily.com/artist/roger-raveel/
Profile generated: 2026-08-24T11:21:01.607Z
Quality: medium confidence, adequate sources

## Artist identity

- Birth date: 1921-07-15
- Death date: 2013-01-30
- Nationality: Belgian
- Movements: Pop art association, Post-expressionism, New Figuration
- Common media: Painting, Drawing, Sculpture, Ceramics, Art objects

## About Roger Raveel

Roger Raveel (1921–2013) was a Belgian artist born in Machelen-sur-Lys and active as a painter, draughtsman, and sculptor. Authority records establish his dates and Belgian identity, while public summaries describe a career that moved between abstract and figurative approaches. His work is frequently discussed in relation to Pop art because ordinary objects enter his imagery, although Dutch-language sources also call him post-expressionist and German-language coverage places him within New Figuration. These overlapping labels are best treated as context rather than a single fixed classification. Raveel also worked in ceramics and produced art objects, broadening the range of material that collectors may encounter. On an appraisal or auction page, his name may therefore be attached to paintings, works on paper, sculpture, ceramics, and object-based work. Careful identification should distinguish the medium, date, subject, and stylistic phase of the specific object before comparison with public sale records.

## Common works and media

Collectors may encounter Raveel's paintings, drawings and other works on paper, sculptures, ceramics, and art objects. Public summaries particularly associate his imagery with everyday objects and describe an evolution between abstract and figurative approaches. Because his practice crossed several media and art-historical labels, a work should be categorized from its physical technique and documented date rather than from the artist's name alone.

## Market and appraisal context

The collected sources establish a public auction-record presence for Raveel but provide no individual lot examples or major-auction-house analysis. A defensible comparison should begin with the documented work type—painting, drawing, sculpture, or ceramic—and then distinguish the object's date, subject, and place within the reported movement between abstract and figurative approaches. Everyday-object imagery and works framed through Pop art or New Figuration may require separate comparable groups because those labels describe overlapping contexts. Sale dates, realized prices, and comparable lots should be used only when the underlying records are available and the objects are sufficiently alike. Provenance, condition, dimensions, signatures, and edition status require separate object-level examination.

## Appraisily data basis

Appraisily artist pages combine authority-based artist identity research with available auction records, auction-house context, sale dates, realized prices, and comparable lots. The depth of market evidence varies, so object-specific conclusions should be tied to the underlying records.

## Sources

- IdRef: https://www.idref.fr/07883130X
- VIAF: https://viaf.org/viaf/101653155/
- Wikidata: https://www.wikidata.org/wiki/Q477465
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500022011
- Bibliothèque nationale de France: https://catalogue.bnf.fr/ark:/12148/cb135430678
- Wikipedia: https://en.wikipedia.org/wiki/Roger_Raveel
- Wikipedia: https://nl.wikipedia.org/wiki/Roger_Raveel
- Wikipedia: https://de.wikipedia.org/wiki/Roger_Raveel
- Appraisily: https://appraisily.com/artist/roger-raveel/