# Richard Seewald artist context and auction value notes

Canonical page: https://appraisily.com/artist/richard-seewald/
Profile generated: 2026-08-24T17:38:09.541Z
Quality: medium confidence, adequate sources

## Artist identity

- Birth date: 1889-05-04
- Nationality: German
- Common media: Painting, Engraving and printmaking, Illustration, Periodical plates and tailpieces

## About Richard Seewald

Richard Seewald (1889–1976) was a German painter, engraver, illustrator, and writer whose documented practice crossed fine art and published graphic work. The IdRef authority record notes that he lived and worked in Cologne and produced illustrations for classical literature and travel narratives. The Museum of Modern Art lists nine works by or involving Seewald online, including plates and tailpieces issued in the 1919 periodical Münchner Blätter für Dichtung und Graphik. Those examples encompass deer, goats, an imagined forest, human figures, and wayfarers. Collectors may therefore encounter his name on paintings, engraved or graphic sheets, book illustrations, and periodical components rather than within one uniform object category. The institution-grade material in this source pack places him securely in early twentieth-century German painting and graphic culture, although it does not establish a single movement designation. Careful identification of medium and publication context is especially important when comparing examples of his work.

## Common works and media

Documented work types include paintings, engravings, book illustrations, and graphics made for periodicals. MoMA's online holdings emphasize plates and tailpieces from 1919, with subjects such as deer, goats, an imagined primeval forest, paired human figures, and wayfarers. IdRef also records illustrations connected with classical works and travel narratives. In an auction or appraisal setting, a Seewald object may consequently be a standalone fine-art work, a graphic sheet, or an image originally created as part of a book or periodical. That distinction should be resolved before selecting comparable lots.

## Market and appraisal context

Seewald's market should be approached by separating paintings from engravings, illustrations, and published graphic material. MoMA documents 1919 periodical plates and tailpieces, while IdRef identifies a broader practice encompassing painting, engraving, and illustration. These records support comparing objects by medium, work type, date, publication context, and subject rather than pooling all works under the artist's name. Animal, landscape, figure, classical-literary, and travel-related material may each require different comparable records. The collected pack does not include a fetched major-auction-house catalogue entry or a detailed realized-price series, so it cannot support price predictions. Object-specific appraisal should incorporate suitable public auction records once the work's category and context have been established.

## Appraisily data basis

Appraisily artist pages combine public artist-identity research with auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are available. This profile's identity and work-type statements are grounded in authority and museum sources; detailed price evidence was not present in the collected source pack.

## Sources

- Wikidata: https://www.wikidata.org/wiki/Q2150582
- IdRef: https://www.idref.fr/070496013
- The Museum of Modern Art: https://www.moma.org/artists/5315