# Richard Larter artist context and auction value notes

Canonical page: https://appraisily.com/artist/richard-larter/
Profile generated: 2026-08-24T16:07:27.958Z
Quality: medium confidence, adequate sources

## Artist identity

- Nationality: Australian
- Movements: Australian Pop art, Pointillism
- Common media: Painting, Syringe-applied paint technique in early works

## About Richard Larter

Richard Larter (1929–2014) was an Australian painter closely associated with Australian Pop art. After emigrating to Australia in 1962, he developed a recognizable practice that combined mass-media imagery with vivid color and highly worked surfaces. Sources describe both Pointillist handling and less conventional methods, including the use of paint-filled syringes in early works. Larter drew source material from popular culture, news photographs, film stills, and sexually explicit imagery, sometimes juxtaposing several images within one composition. These features place his work within Pop art while distinguishing it from a simple imitation of British or American examples. Collectors may therefore encounter paintings that vary considerably in subject, density, technique, and visual tone, even when they share his interest in reproduced imagery. His identity is also represented across international authority systems, including Wikidata, Getty ULAN, VIAF, ISNI, and national-library records.

## Common works and media

The available sources most clearly identify Larter with paintings. Auction and appraisal contexts may include brightly colored Pop-related compositions, works with Pointillist handling, early paintings made with syringe-applied paint, and multi-image compositions derived from mass-media sources. The collected evidence does not establish a recurring market for signed editions, sculpture, ceramics, posters, or other categories, so those work types should be researched individually if encountered.

## Market and appraisal context

Richard Larter market comparisons should distinguish between works by medium, technique, date, subject, and stylistic character. A densely handled Pointillist painting may not be directly comparable with an earlier work using syringe-applied paint, even when both are attributed to the same artist. Source imagery can also matter because his practice ranged across popular culture, news photographs, film stills, and sexually explicit material. The collected pack confirms that public auction information exists but does not provide usable lot-level descriptions, condition reports, provenance, dimensions, sale dates, or realized prices. Accordingly, a responsible appraisal should inspect the specific object and compare it with sufficiently similar documented sales rather than infer value from the artist name alone.

## Appraisily data basis

Appraisily artist pages combine public artist-identity research with auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are available. This source pack supports Larter's basic identity and artistic context, but detailed market conclusions require verified lot-level evidence.

## Sources

- Wikidata: https://www.wikidata.org/wiki/Q7327260
- Wikipedia: https://en.wikipedia.org/wiki/Richard_Larter
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500123802
- VIAF: https://viaf.org/viaf/91180148/
- Library of Congress: https://id.loc.gov/authorities/names/no2009112593
- ISNI: https://isni.org/isni/0000000078915201
- Bibliothèque nationale de France: https://catalogue.bnf.fr/ark:/12148/cb162332367
- Appraisily: https://appraisily.com/artist/richard-larter/