# Remo Brindisi artist context and auction value notes

Canonical page: https://appraisily.com/artist/remo-brindisi/
Profile generated: 2026-05-03T05:17:30.000Z
Quality: high confidence, strong sources

## Artist identity

- Birth date: 1918-04-25
- Death date: 1996
- Nationality: Italian
- Common media: oil painting, fresco, etching, graphic arts, ceramics, drawing

## About Remo Brindisi

Remo Brindisi (1918–1996) was an Italian artist born in Rome whose career encompassed painting, fresco, etching, graphic arts, ceramics, design, and set design. He trained at the Accademia di Belle Arti di Roma and the Centro Sperimentale di Scenografia, with additional early studies in ceramics at the Kunstschule in Penne, Abruzzen. Active from the mid-1930s onward, Brindisi developed a multidisciplinary practice that spanned fine art and applied arts, making his work relevant across several collecting categories. His training in stage design alongside painting and printmaking gave his visual output a distinctive range. Brindisi is recorded in the Library of Congress Name Authority File, the RKD Netherlands Institute for Art History, and VIAF, confirming his standing as a documented Italian 20th-century artist.

## Common works and media

Collectors and appraisers may encounter Brindisi works as oil paintings on canvas or panel, frescoes, etchings and other intaglio prints, graphic design works, ceramic vessels and sculptural pieces, drawings, illustrations, and set or stage designs. Editioned prints and works on paper appear frequently in auction contexts.

## Market and appraisal context

Remo Brindisi (1918–1996) has a well-established and active secondary market with 493 recorded auction lots and 232 with published realized prices. The market is almost entirely European and EUR-denominated, anchored by Italian regional houses—Picenum, Pananti Casa D'Aste, ArtLaRosa, Finarte, and Felima Art Casa D'Aste are the top five by volume. Prices are accessible and moderately dispersed: the interquartile range spans €170–€550 with a median of €350, though the recorded maximum reaches €10,200 (a significant outlier). Liquidity has risen sharply—70 lots appeared in the trailing 12 months versus 44 in the prior 12 months, a 59% increase—suggesting expanding collector recognition. Works on paper, prints, and smaller paintings dominate the lower price tiers (typically €200–€500), while titled oil paintings from the 1950s–1960s, especially the recurring Maternità and Venezia subjects, tend to achieve the higher results (€600–€1,600 in recent sales). Screenprints and editioned graphic works appear regularly but generally sell at or below the median.

## Auction-house-backed market evidence

Remo Brindisi (1918–1996) has a well-established and active secondary market with 493 recorded auction lots and 232 with published realized prices. The market is almost entirely European and EUR-denominated, anchored by Italian regional houses—Picenum, Pananti Casa D'Aste, ArtLaRosa, Finarte, and Felima Art Casa D'Aste are the top five by volume. Prices are accessible and moderately dispersed: the interquartile range spans €170–€550 with a median of €350, though the recorded maximum reaches €10,200 (a significant outlier). Liquidity has risen sharply—70 lots appeared in the trailing 12 months versus 44 in the prior 12 months, a 59% increase—suggesting expanding collector recognition. Works on paper, prints, and smaller paintings dominate the lower price tiers (typically €200–€500), while titled oil paintings from the 1950s–1960s, especially the recurring Maternità and Venezia subjects, tend to achieve the higher results (€600–€1,600 in recent sales). Screenprints and editioned graphic works appear regularly but generally sell at or below the median.

### Appraisal notes

Appraisily would use the 493-lot auction record base to build a filtered comparable-lot analysis keyed to the subject work's medium, dimensions, date, subject, and edition status. For oil paintings from the 1950s–1960s, recent comparables such as "Maternità" 1951 (€1,600), "Venezia e la chiesa della salute" (€800), and "Maternità" 1960 (€600) provide direct pricing benchmarks. For prints and graphic works, the €200–€500 band is well-supported by multiple recent results. Beyond auction comparables, Appraisily would weigh: medium confirmation (oil, screenprint, etching, ceramic), signature verification, edition numbering for prints (e.g., ed. 20/75), condition report, provenance documentation, and dimensions. Works lacking clear attribution, with condition issues, or from late-career periods may fall below the P25 benchmark of €170. The predominantly Italian auction-house context means US-based resale comparables may be thinner.

### Valuation factors

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### Collector notes

- Brindisi's market is liquid, accessible, and increasingly active. The median auction price of €350 and the 59% year-over-year rise in lot volume make this a relatively easy-entry segment for collectors of Italian 20th-century art. The market is almost entirely Italian-house and EUR-denominated, so collectors outside Europe should factor currency and resale-channel considerations. Editioned prints and screenprints are abundant and typically trade below €500, offering an affordable entry point. Unique oil paintings from the 1950s–1960s—especially titled works in the Maternità or Venezia series—are where the stronger results concentrate (€600–€1,600 in 2026). The top recorded price of €10,200 is a clear outlier; most works trade in the €200–€800 band. Many recent lots at Felima Art Casa D'Aste and other Italian houses lack published images, so requesting condition reports and photographs before bidding is advisable.

### Market caveats

- Price data is predominantly EUR-denominated from Italian regional auction houses; international (US, UK) comparables are thin and may differ.
- Multiple recent lots show null priceRealised, indicating either unsold results or prices not yet published—this inflates the apparent unsold rate and should not be interpreted as a weak market signal without further investigation.
- The maximum recorded price of €10,200 is a significant outlier relative to the P75 of €550; the median and interquartile range are more representative benchmarks.
- Several recent lots (especially at Felima Art Casa D'Aste) lack images, making visual verification of comparables difficult for appraisers.
- A small number of lots are denominated in USD or COP rather than EUR; direct price comparisons require currency adjustment.
- Brindisi's multidisciplinary output across painting, fresco, printmaking, ceramics, graphic design, and set design means attribution can be complex—specialist authentication is recommended for works outside the artist's primary painting and printmaking practice.

### Market evidence sources

- Appraisily auction record index: https://appraisily.com/api/scraper-search/artists/remo-brindisi/seo-profile?recentLimit=24&relatedLimit=0
- Invaluable (Felima Art Casa D'Aste): https://www.invaluable.com/auction-lot-remo-brindisi-maternita-1951-7-c-498807921e
- Invaluable (Felima Art Casa D'Aste): https://www.invaluable.com/auction-lot-remo-brindisi-senza-titolo-20-c-2fa69ba00f
- Invaluable (Casa d'aste Minghini): https://www.invaluable.com/auction-lot-remo-brindisi-venezia-e-la-chiesa-della-salute-240-c-6d5e9ba7ab
- Invaluable (Felima Art Casa D'Aste): https://www.invaluable.com/auction-lot-remo-brindisi-maternita-1960-6-c-3669f603dc
- Invaluable (Felima Art Casa D'Aste): https://www.invaluable.com/auction-lot-remo-brindisi-senza-titolo-1971-11-c-ac611518b1
- Invaluable (Felima Art Casa D'Aste): https://www.invaluable.com/auction-lot-remo-brindisi-venezia-1962-77-c-013dc55c3f
- Invaluable (Felima Art Casa D'Aste): https://www.invaluable.com/auction-lot-remo-brindisi-senza-titolo-81-c-afa114611b
- Invaluable (Felima Art Casa D'Aste): https://www.invaluable.com/auction-lot-remo-brindisi-figura-61-c-4ccc030d18
- Invaluable (Pananti Casa D'Aste SRL): https://www.invaluable.com/auction-lot-remo-brindisi-roma-1918-lido-di-spina-1996-figure-230-c-6dc2baebd2
- Invaluable (Kruso Art): https://www.invaluable.com/auction-lot-remo-brindisi-venezia-68-c-74a407d811
- Invaluable (Felima Art Casa D'Aste): https://www.invaluable.com/auction-lot-remo-brindisi-senza-titolo-1994-75-c-95b6b6e31d
- Invaluable (RoGallery): https://www.invaluable.com/auction-lot-remo-brindisi-canale-di-venezia-screenprint-146-c-34a886a854
- Invaluable (RoGallery): https://www.invaluable.com/auction-lot-remo-brindisi-figure-astratte-screenprint-112-c-5be1f78a2c
- Invaluable (Lefebre Subastas): https://www.invaluable.com/auction-lot-remo-brindisi-1918-1996-s-t-sf-obra-grafica-medidas-66-x-57-cm-ed-20-75-86-c-c2644ddf98

## Appraisily data basis

Appraisily artist pages combine artist identity research from authority files and institutional sources with auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are available. For Remo Brindisi, identity data is grounded in the Library of Congress, RKD, VIAF, and Wikidata authority records.

## Sources

- Library of Congress: https://id.loc.gov/authorities/names/n50041394
- RKD Netherlands Institute for Art History: https://rkd.nl/en/explore/artists/238404
- VIAF: https://viaf.org/viaf/25410217/
- Wikidata: https://www.wikidata.org/wiki/Q2143060
- Wikipedia: https://en.wikipedia.org/wiki/Remo_Brindisi
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500347775