# Pinchus Krémègne artist context and auction value notes

Canonical page: https://appraisily.com/artist/pinchus-kremegne/
Profile generated: 2026-05-03T04:20:33.148Z
Quality: high confidence, strong sources

## Artist identity

- Birth date: 1890-07-28
- Death date: 1981-04-05
- Nationality: Lithuanian, French
- Movements: École de Paris (School of Paris)
- Common media: oil painting, sculpture, lithography

## About Pinchus Krémègne

Pinchus Krémègne (1890–1981) was a Lithuanian-born French painter, sculptor, and lithographer who spent most of his career in France. Born in Želudok, in present-day Belarus, he moved to Paris around 1912 and became part of the community of Eastern European Jewish artists who contributed to the modernist ferment of the French capital in the early twentieth century. He worked actively across painting and sculpture for nearly seven decades, remaining productive until his death in Céret in 1981. Krémègne is recorded in the Library of Congress Name Authority File, the RKD Netherlands Institute for Art History, VIAF, and Wikidata, reflecting his established place in twentieth-century European art. Collectors most often encounter his work through paintings and works on paper at auction in Europe and North America.

## Common works and media

Krémègne commonly produced oil paintings on canvas and board, watercolors and gouaches on paper, sculptures, and lithographic prints. His subjects typically include landscapes, still lifes, nudes, and portraits, reflecting the figurative modernist traditions of his Paris milieu. Works range from small studies on paper to larger finished canvases.

## Market and appraisal context

Pinchus Krémègne's auction market is modestly documented in recent records. A single priced lot from May 2025 — an oil painting described as 'Belarussian French Ecole de Paris' — realized $3,000 USD at Gilden's Art Gallery. With only one recent comparable, the observed price distribution is a single point ($3,000 minimum, median, and maximum), making it difficult to characterize dispersion or liquidity trends. The Appraisily index records 883 works associated with Krémègne, indicating a substantial body of work likely distributed across European and North American auction houses over decades, but only one recent lot surfaced in the current collection window. Krémègne's association with the École de Paris and his seven-decade career suggest a collector base interested in twentieth-century modernist figurative painting, though current auction-record evidence is thin.

## Auction-house-backed market evidence

Pinchus Krémègne's auction market is modestly documented in recent records. A single priced lot from May 2025 — an oil painting described as 'Belarussian French Ecole de Paris' — realized $3,000 USD at Gilden's Art Gallery. With only one recent comparable, the observed price distribution is a single point ($3,000 minimum, median, and maximum), making it difficult to characterize dispersion or liquidity trends. The Appraisily index records 883 works associated with Krémègne, indicating a substantial body of work likely distributed across European and North American auction houses over decades, but only one recent lot surfaced in the current collection window. Krémègne's association with the École de Paris and his seven-decade career suggest a collector base interested in twentieth-century modernist figurative painting, though current auction-record evidence is thin.

### Appraisal notes

An appraisal of a Krémègne work would combine the limited auction-record benchmark ($3,000 for a single recent oil painting at Gilden's Art Gallery) with a detailed examination of the piece itself. Key inputs include: medium and support (oil on canvas, oil on board, watercolor, gouache, lithograph, or sculpture), dimensions, subject matter (landscape, still life, nude, or portrait), signature and inscriptions, condition report, provenance history, and date of execution. Because the auction record is sparse, an appraiser should supplement with broader market research — querying Invaluable, Artnet, MutualArt, or comparable databases for historical lots — and consider the artist's career period, exhibition history, and gallery representation. Works from his early Paris period or larger finished canvases may carry different value than late or minor works on paper.

### Valuation factors

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### Collector notes

- Only one recent auction result ($3,000 for an oil painting at Gilden's Art Gallery in May 2026) is available in the current record set. Do not treat this as a representative market floor or ceiling — it is a single data point.
- With 883 works indexed by Appraisily, Krémègne produced a large and varied body of work. Expect significant price variation based on medium, size, period, and quality.
- Search for the artist under all known name variants when researching comparable sales, as catalogue entries and databases often use different transliterations.
- Krémègne's École de Paris connection places him alongside better-known contemporaries; this can support provenance narratives and collector interest but does not automatically elevate value.
- European auction houses (particularly in France) may have more historical sales data than what is captured in the current window. A thorough appraisal should consult broader databases.

### Market caveats

- The single-lot auction record provides minimal statistical basis for price estimation. Median, quartile, and range figures are identical ($3,000) and should not be interpreted as a stable market indicator.
- No price trend data is available (recent 12-month count: 1; previous 12-month count: 0), making it impossible to assess whether the market is rising, stable, or declining.
- Attribution should be confirmed carefully due to multiple name variants used across catalogues and databases.
- The artist's long career (circa 1910–1981) means works span vastly different periods, styles, and quality levels; a single price point cannot represent the full range.
- Appraisily auction signals are derived from public auction feeds and may not capture all transactions, especially private sales or results from regional European houses not indexed in the feed.

### Market evidence sources

- Appraisily auction record index: https://appraisily.com/api/scraper-search/artists/pinchus-kremegne/seo-profile?recentLimit=24&relatedLimit=0
- Invaluable: https://www.invaluable.com/auction-lot-pinchus-kremegne-oil-painting-belarussian-french-ecole-de-paris-13262-c-e16dc2dcad

## Appraisily data basis

Appraisily artist pages combine identity research from library and museum authority records with auction-house data, including sale dates, realized prices, lot descriptions, and comparable results when available. For Krémègne, identity data is drawn from the Library of Congress, VIAF, the RKD Netherlands Institute for Art History, and Wikidata.

## Sources

- Library of Congress: https://id.loc.gov/authorities/names/n81082581
- RKD Netherlands Institute for Art History: https://rkd.nl/en/explore/artists/46384
- VIAF (OCLC): https://viaf.org/viaf/79414300/
- Wikidata: https://www.wikidata.org/wiki/Q955906
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500048142