# Pierre Emmanuel Damoye artist context and auction value notes

Canonical page: https://appraisily.com/artist/pierre-emmanuel-damoye/
Profile generated: 2026-05-31T11:30:45.000Z
Quality: high confidence, strong sources

## Artist identity

- Birth date: 1847-02-20
- Death date: 1916-01-22
- Nationality: French
- Movements: Barbizon school
- Common media: oil on canvas

## About Pierre Emmanuel Damoye

Pierre Emmanuel Eugène Damoye (1847–1916) was a French landscape painter born and based in Paris. Trained at the École des Beaux-Arts, he became one of the most noted successors to the Barbizon school tradition, a movement that shifted French landscape painting toward direct observation of rural nature. Critics of his era recognized him for expansive compositions featuring wide skies, open plains dotted with trees, and luminous farmland scenes. Damoye's work bridges the pastoral realism of the mid-19th-century Barbizon painters and the looser brushwork that anticipated later plein-air movements. He also taught, counting the painter Pierre-Jacques Pelletier among his students. His paintings are recorded in major reference works including Bénézit's Dictionnaire critique and the Witt Checklist of painters. With over 280 works documented in the RKD image archive, Damoye remains a consistently catalogued figure in 19th-century French landscape painting.

## Common works and media

Damoye worked primarily in oil on canvas. His most frequently encountered subjects are sweeping rural landscapes featuring flat or gently rolling plains under wide, expressive skies, often with groups of trees, hedgerows, and working farmland. Pastoral river scenes, village outskirts, and seasonal agricultural views are also common. Works are typically signed and range from small cabinet paintings to larger exhibition-scale canvases. Drawings and studies on paper appear less often at auction but are documented in institutional collections.

## Market and appraisal context

Damoye's paintings appear regularly at auction, with nearly 190 lots recorded across public sale databases. His oil-on-canvas landscapes—typically depicting rural French plains, expansive skies, and pastoral farmland—form the bulk of what collectors encounter. Appraisal value depends on condition, canvas dimensions, compositional complexity, signature presence, and documented provenance. Works with clear Barbizon school attribution or exhibition history may carry additional collector interest. Because no single public catalogue raisonné is available, authentication relies on comparison with documented examples in institutional archives such as RKD and entries in standard reference works like Bénézit.

## Appraisily data basis

Appraisily artist pages combine verified artist identity research from authority files (Wikidata, Getty ULAN, VIAF, RKD) with auction records, sale dates, realized prices, comparable lots, and market signals from public databases. For Pierre Emmanuel Damoye, identity data is supported by multiple independent library-authority sources, and auction context draws from 187 catalogued lot records.

## Sources

- Wikidata: https://www.wikidata.org/wiki/Q7192198
- Wikipedia: https://en.wikipedia.org/wiki/Pierre_Emmanuel_Damoye
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500007009
- VIAF: https://viaf.org/viaf/95723667/
- RKD - Netherlands Institute for Art History: https://rkd.nl/en/explore/artists/19894