# Patrick Hayman artist context and auction value notes

Canonical page: https://appraisily.com/artist/patrick-hayman/
Profile generated: 2026-05-29T19:33:35.510Z
Quality: high confidence, strong sources

## Artist identity

- Nationality: British, English
- Movements: St Ives School
- Common media: painting, drawing, three-dimensional constructions, poetry

## About Patrick Hayman

Patrick Hayman (1915–1988) was a British painter, sculptor, and poet whose practice spanned painting, drawing, three-dimensional constructions, and literary work. Born in London, he spent formative years in New Zealand from the mid-1930s until 1947 before returning to England, where he eventually settled in Cornwall. Although his time in Cornwall was relatively brief, Hayman became closely associated with the St Ives School, placing him among the most significant post-war British art circles. His multi-disciplinary approach gave his constructions and paintings a narrative, often lyrical quality that distinguished his output from that of his St Ives contemporaries. Hayman's work is held by major institutions including Tate, and his paintings, drawings, and constructions appear at auction in both the United Kingdom and New Zealand. His poetry further reflected the imaginative depth that characterized his visual art.

## Common works and media

Hayman worked across oil and other painting media, drawing, and constructed three-dimensional pieces, often on a modest scale. His constructions frequently incorporated mixed media and reflected a poetic sensibility. He also wrote and published poetry. Collectors most commonly encounter his paintings and works on paper at auction, with constructions appearing less frequently. Subject matter ranges from figurative compositions to more abstract explorations, and works from his New Zealand period (1936–1947) form a distinct segment of his output.

## Market and appraisal context

Patrick Hayman's works appear at auction primarily as paintings, drawings, and three-dimensional constructions. Valuation depends on medium, scale, date of execution, provenance, and condition. His St Ives School association adds contextual interest, though his market remains more niche compared to leading figures of that circle such as Barbara Hepworth or Ben Nicholson. Works with documented exhibition history or institutional provenance tend to achieve stronger results. Because Hayman was active in New Zealand for over a decade, pieces from that period may surface in Australasian sale rooms as well as in the United Kingdom. Attribution should be confirmed through style comparison and, where available, gallery or estate records.

## Appraisily data basis

Appraisily artist pages combine identity research from museum records, library authority files, and published sources with auction records, sale dates, realized prices, and comparable lot data when available. For Patrick Hayman, identity data is supported by Tate, the Getty Union List of Artist Names (ULAN 500013659), VIAF, the RKD Netherlands Institute for Art History, the Library of Congress, and Wikidata. Auction and market context draw from the 215 lots recorded in the Appraisily database.

## Sources

- Wikidata: https://www.wikidata.org/wiki/Q7146680
- Wikipedia: https://en.wikipedia.org/wiki/Patrick_Hayman
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500013659
- VIAF: https://viaf.org/viaf/75306293/
- Library of Congress: https://id.loc.gov/authorities/names/n85286848
- Tate: https://www.tate.org.uk/art/artists/patrick-hayman-1256
- RKD - Netherlands Institute for Art History: https://rkd.nl/en/explore/artists/36677