# Patricia Piccinini artist context and auction value notes

Canonical page: https://appraisily.com/artist/patricia-piccinini/
Profile generated: 2026-08-24T20:37:15.652Z
Quality: medium confidence, adequate sources

## Artist identity

- Nationality: Australian
- Common media: Sculpture, Installation, Painting, Digital prints, Video and sound

## About Patricia Piccinini

Patricia Piccinini, born in 1965, is an Australian artist whose practice spans sculpture, installation, painting, digital prints, video, and sound. She is especially associated with carefully rendered hybrid and anthropomorphic creatures that place the familiar beside the biologically unfamiliar. Through these speculative beings and environments, her work considers bioethical questions, technological change, care, vulnerability, and the unintended consequences that can accompany attempts to reshape living systems. Piccinini represented Australia at the 50th Venice Biennale in 2003, an important point in the international presentation of her work. Collectors may encounter her name across several distinct formats rather than through a single medium: three-dimensional figures, digitally produced images, paintings, and installation-related work can all form part of her broader practice. Identifying a work therefore depends on examining its medium, date, documentation, and relationship to her established imagery rather than relying on subject resemblance alone.

## Common works and media

Works associated with Piccinini include sculpture, installation, painting, digital prints, video, and sound. Her best-documented imagery features speculative hybrid beings and anthropomorphic animals used to explore questions about biology, technology, care, and possible futures. Auction or appraisal entries should identify the exact medium and materials and should distinguish a unique object from a print, editioned work, installation element, or time-based work. A visual resemblance to her characteristic creatures is not sufficient attribution without supporting documentation.

## Market and appraisal context

Patricia Piccinini's varied practice makes precise object identification the starting point for appraisal. A sculpture, digital print, painting, video work, or installation component may have different documentation, condition concerns, and sale comparables. Relevant evidence can include the work's date, dimensions, materials, provenance, exhibition history, edition or uniqueness status, and relationship to the artist's documented bioethical and anthropomorphic subjects. Comparable public auction results should be matched by medium, scale, date, and edition wherever possible. The collected source pack confirms the existence of an Appraisily auction-price page but does not provide readable lot-level evidence, a price trend, or a basis for predicting future value.

## Appraisily data basis

Appraisily artist pages combine public artist-identity research with auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are available. Conclusions for an individual work should be based on verified, lot-specific evidence.

## Sources

- Wikidata: https://www.wikidata.org/wiki/Q462603
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500121268
- RKD: https://rkd.nl/en/explore/artists/261464
- Patricia Piccinini: http://www.patriciapiccinini.net
- Wikipedia: https://en.wikipedia.org/wiki/Patricia_Piccinini
- Wikipedia: https://de.wikipedia.org/wiki/Patricia_Piccinini
- Appraisily: https://appraisily.com/artist/patricia-piccinini/