# Omar Galliani artist context and auction value notes

Canonical page: https://appraisily.com/artist/omar-galliani/
Profile generated: 2026-08-24T15:00:54.024Z
Quality: medium confidence, adequate sources

## Artist identity

- Nationality: Italian
- Common media: Graphite pencil, Pastel, Ink, Gold leaf, Poplar panel, Engraving and illustration

## Portrait

![Omar Galliani](https://upload.wikimedia.org/wikipedia/commons/7/7f/Omar_Galliani.jpg)
Luigi Tiriticco · CC BY 2.0
Source: https://commons.wikimedia.org/wiki/File:Omar_Galliani.jpg

## About Omar Galliani

Omar Galliani, born in 1954, is an Italian painter whose identity is consistently linked across Wikidata, VIAF, Getty ULAN, and European library authority records. Public biographical material describes him as a graduate of the Accademia di Belle Arti di Bologna and a former painting professor at the Accademia di Belle Arti di Brera in Milan. His practice is associated particularly with drawing and a contemporary engagement with Italian Renaissance traditions. Documented materials include graphite pencil, pastel, ink, gold leaf, and poplar panel, while library records also index Galliani as an engraver and illustrator. Collectors may therefore encounter his name on paintings, drawings, panel works, engravings, illustrated publications, and exhibition catalogues. Authority records connect him with numerous publications, including catalogues for Santi and Omar, Roma, amor. Careful matching of title, date, medium, and publication history is important when researching an attributed work.

## Common works and media

Collectors may encounter paintings and drawings, particularly works made with graphite pencil, pastel, or ink, as well as compositions incorporating gold leaf on poplar panels. IdRef also records Galliani as an engraver and illustrator, indicating that engravings, graphic sheets, and illustrated publications can form part of the identification context. The precise technique and support should be taken from reliable labels, catalogues, or direct examination rather than inferred solely from appearance.

## Market and appraisal context

An appraisal should begin by determining whether an object is a painting, drawing, panel work, engraving, illustration, or another type of graphic work, then recording its medium and support precisely. Galliani's documented use of graphite, pastel, ink, gold leaf, and poplar panel means visually related objects may belong to materially different categories. A catalogued title, date, or connection with a documented exhibition or publication can provide useful research context. Appraisily has an auction-record signal for Galliani, but the collected public-page response did not expose individual lot details. This source pack therefore supports neither a price forecast nor a market-trend claim. When complete records are available, comparisons should focus on closely matched work types, media, supports, dates, and documented catalogue relationships.

## Appraisily data basis

Appraisily artist pages combine researched identity records with auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are publicly available and sufficiently documented.

## Sources

- VIAF: https://viaf.org/viaf/96167179/
- Wikidata: https://www.wikidata.org/wiki/Q43130543
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500069815
- IdRef: https://www.idref.fr/125240597
- Wikipedia: https://en.wikipedia.org/wiki/Omar_Galliani
- Wikipedia: https://id.wikipedia.org/wiki/Omar_Galliani
- Appraisily: https://appraisily.com/artist/omar-galliani/