# Olga De Amaral artist context and auction value notes

Canonical page: https://appraisily.com/artist/olga-de-amaral/
Profile generated: 2026-08-24T12:56:10.272Z
Quality: medium confidence, adequate sources

## Artist identity

- Nationality: Colombian
- Movements: Fiber art
- Common media: Fiber and textile construction, Gold leaf, Silver leaf

## Portrait

![Olga De Amaral](https://upload.wikimedia.org/wikipedia/commons/3/3d/Olga_in_Ubat%C3%A9.jpg)
AmaralArte · CC BY-SA 4.0
Source: https://commons.wikimedia.org/wiki/File:Olga_in_Ubat%C3%A9.jpg

## About Olga De Amaral

Olga de Amaral (born 1932) is a Colombian textile and visual artist associated with the international development of fiber art. Public descriptions emphasize large-scale abstract works built from fiber and, in some examples, covered with gold or silver leaf. This combination places her practice between textile construction, painting-like surface, and sculpture, although each object should be identified by its actual materials and format. During the 1960s and 1970s, she was among the relatively small number of South American fiber artists recognized internationally. Collectors encounter her work because woven structure, abstraction, scale, and reflective metal leaf create objects that do not fit neatly within conventional categories. Museum and library authority records consistently identify her under Olga de Amaral and related cataloguing forms, strengthening entity matching across collections and sale records. Individual works are best described through their specific construction rather than treated as interchangeable examples of one textile format.

## Common works and media

Collectors are most likely to encounter abstract fiber and textile constructions, including works whose woven structures have a sculptural presence. Public descriptions particularly associate Amaral with large-scale formats and with surfaces incorporating gold or silver leaf. Medium, dimensions, construction, and metallic finish should be recorded precisely because these features distinguish materially different works and help narrow the relevant field of auction comparisons.

## Market and appraisal context

For appraisal, first establish whether an object is a fiber work, a sculptural textile, or another format, then document its dimensions, construction, and any gold- or silver-leaf surface. These characteristics help determine which public auction records are genuinely comparable because Amaral's documented practice includes large-scale abstract fiber works with varied metallic finishes. The supplied Appraisily signal indicates an existing body of associated auction records, but this research pack does not include individual lot descriptions, realized prices, condition reports, or a major auction-house market study. It therefore supports category-level context rather than a price forecast. Any valuation should be based on the specific object's evidence and suitably similar public sales.

## Appraisily data basis

Appraisily artist pages combine public artist-identity research with auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are available. Identity and market evidence are kept distinct so an authority match or record count is not presented as a work-specific attribution or valuation.

## Sources

- Wikidata: https://www.wikidata.org/wiki/Q7086720
- VIAF: https://viaf.org/viaf/73393386/
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500125060
- Wikipedia: https://en.wikipedia.org/wiki/Olga_de_Amaral
- Appraisily: https://appraisily.com/artist/olga-de-amaral/