# Mona Hatoum artist context and auction value notes

Canonical page: https://appraisily.com/artist/mona-hatoum/
Profile generated: 2026-05-30T12:26:09.652Z
Quality: high confidence, strong sources

## Artist identity

- Nationality: Lebanese, British
- Movements: Contemporary art, Installation art
- Common media: Sculpture, Installation, Performance art, Multimedia

## About Mona Hatoum

Mona Hatoum (born 1952, Beirut) is a Lebanese-British sculptor and installation artist who has lived and worked in London since the 1970s. She is recognized internationally for work that transforms familiar domestic objects and architectural spaces into charged encounters, often addressing themes of displacement, surveillance, and the politics of home. Hatoum's practice spans sculpture, large-scale installation, performance, and multimedia, and her work has been presented in major exhibitions at Tate, the Museum of Modern Art in New York, and Documenta in Kassel. She studied at the Cardiff Institute of Higher Education and received the Käthe-Kollwitz-Preis in 2010. With dual Lebanese and British nationality, Hatoum's biography and artistic concerns place her among the most influential contemporary artists working with themes of migration and identity. Collectors and institutions encounter her work across global contemporary art markets.

## Common works and media

Collectors may encounter Hatoum's sculptural objects, room-scale installations, editioned prints, photographs documenting performances, and mixed-media works. Materials often include wire, steel, glass, hair, soap, and found domestic items. Her early practice includes performance and video works, some documented photographically. Later work frequently features household objects altered to convey unease or threat, such as electrified fences, furniture with wire mesh, or maps rendered in materials like glass beads or olive oil soap.

## Market and appraisal context

Mona Hatoum's auction presence includes sculpture, installation components, editioned prints, and photographs. Large-scale sculptural and installation works with documented exhibition histories at institutions like Tate or MoMA tend to carry stronger provenance and market recognition. Editioned prints and multiples are more accessible entry points for collectors. Appraisal should account for the specific medium, scale, edition number if applicable, condition of fabrication components, and exhibition or publication history. Works associated with recognized exhibition platforms such as Documenta or museum retrospectives may carry additional contextual value. Comparable auction results should be evaluated by medium and format, as prices for unique installations differ significantly from editioned works.

## Appraisily data basis

Appraisily artist pages combine artist identity research from museum records, library authority files, and published sources with auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are available. Mona Hatoum's page draws on collection records from Tate and MoMA, the Getty ULAN authority file, the RKD Netherlands Institute for Art History, VIAF, and Wikidata.

## Sources

- Wikidata: https://www.wikidata.org/wiki/Q273696
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500033131
- VIAF / OCLC: https://viaf.org/viaf/95885576/
- Library of Congress: https://id.loc.gov/authorities/names/nr89006886
- Tate: https://www.tate.org.uk/art/artists/mona-hatoum-2365
- The Museum of Modern Art: https://www.moma.org/artists/7447
- RKD - Netherlands Institute for Art History: https://rkd.nl/en/explore/artists/135072
- Wikipedia: https://en.wikipedia.org/wiki/Mona_Hatoum