# Mauricio Lasansky artist context and auction value notes

Canonical page: https://appraisily.com/artist/mauricio-lasansky/
Profile generated: 2026-08-24T12:33:54.510Z
Quality: medium confidence, adequate sources

## Artist identity

- Birth date: 1914-10-12
- Death date: 2012-04-02
- Nationality: Argentine, American
- Common media: Intaglio printmaking, Prints and graphic art, Pencil drawing

## Portrait

![Mauricio Lasansky](https://upload.wikimedia.org/wikipedia/en/e/e9/Photo_of_Mauricio_Lasansky.jpg)
Mauricio Lasansky · see-source-page
Source: https://en.wikipedia.org/wiki/Mauricio_Lasansky

## About Mauricio Lasansky

Mauricio Leib Lasansky (1914–2012) was an Argentine-born American printmaker, graphic artist, and educator closely associated with the development of modern printmaking in the United States. He became known for technically ambitious intaglio work and for his influential teaching at the University of Iowa, where he established its printmaking program. His recorded output includes prints spanning several decades as well as The Nazi Drawings, a group of 33 pencil drawings created during the 1960s. A published catalogue covering prints made from 1933 through 1973 provides an important reference point for identifying and contextualizing works attributed to him. Collectors may encounter Lasansky through individual intaglio impressions, other graphic works, works on paper, and material associated with his best-known drawing series. Museum and international library-authority profiles reinforce his identity as both an Argentine and American artist whose career joined studio practice with printmaking education.

## Common works and media

Collectors most commonly encounter Lasansky through intaglio prints and other graphic works. His documented practice also includes pencil drawings, most notably the 33-sheet series The Nazi Drawings from the 1960s. A print catalogue covering 1933–1973 can help place many impressions within his recorded production. Because the available sources do not enumerate every technique, edition, or subject, individual works should be described from direct examination and compared with catalogued examples and closely related public sales.

## Market and appraisal context

Lasansky’s market should be approached by first distinguishing an intaglio print from a unique drawing or other work on paper. For prints, a match to the published catalogue covering 1933–1973 can provide useful identification context. A documented connection to The Nazi Drawings may also materially change how a work is classified and compared. Appraisal still requires object-level evidence: technique, dimensions, paper, signature, edition or state information, condition, provenance, and the strength of attribution should be examined rather than assumed. Public auction records are most useful when the comparable lots closely match the work’s medium, period, subject or series, scale, and condition. The collected source pack does not support a general price trend or prediction.

## Appraisily data basis

Appraisily artist pages combine artist-identity research with auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are available. Identity and art-historical statements are separated from object-specific attribution and valuation conclusions.

## Sources

- IdRef: https://www.idref.fr/160203775
- VIAF: https://viaf.org/viaf/92027514/
- Wikidata: https://www.wikidata.org/wiki/Q6793620
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500011243
- The Museum of Modern Art: https://www.moma.org/artists/3395
- Wikipedia: https://en.wikipedia.org/wiki/Mauricio_Lasansky
- Appraisily: https://appraisily.com/artist/mauricio-lasansky/