# Maurice Hagemans artist context and auction value notes

Canonical page: https://appraisily.com/artist/maurice-hagemans/
Profile generated: 2026-08-24T16:33:09.875Z
Quality: medium confidence, adequate sources

## Artist identity

- Birth date: 1852-08-27
- Death date: 1917-11-02
- Nationality: Belgian
- Movements: Impressionism, Anseremme Colony
- Common media: Painting, Watercolor, Engraving

## About Maurice Hagemans

Maurice Hagemans (1852–1917) was a Belgian painter, watercolorist, and engraver associated in published summaries with Impressionism and the nineteenth-century Anseremme Colony. Authority records identify him particularly as a watercolorist and landscape painter, while biographical sources also connect his practice with portraits and genre scenes. Born in Liège and later dying in Ixelles, Hagemans worked within the Belgian artistic setting of the late nineteenth and early twentieth centuries. Collectors may encounter his name on paintings and works on paper, especially watercolors and landscape subjects, as well as portraits, genre compositions, and engravings. His identity is supported by linked records from Wikidata, VIAF, Getty ULAN, the Library of Congress, RKD, and the British Museum. The exact characterization of his relationship to Impressionism and the Anseremme Colony currently depends mainly on encyclopedia-style sources, so those labels are best treated as documented art-historical associations rather than an exhaustive account of his career.

## Common works and media

Works encountered under Maurice Hagemans's name may include paintings, watercolors, engravings, and other works on paper. Landscapes are the best-supported subject category in authority records; published biographies also identify portraits and genre scenes. Auction comparison should keep medium and object type distinct, since a watercolor, print, and painting can have materially different condition issues and market comparables.

## Market and appraisal context

Maurice Hagemans has a documented public-auction record covering paintings and works on paper. Appraisal should begin with comparable lots that match the object's medium, dimensions, subject, date, and attribution status. Condition, restoration, surface quality, signatures, inscriptions, provenance, exhibition history, and catalogue references may also affect how a work compares with recorded sales. Watercolors should be compared with similar works on paper rather than treated as interchangeable with paintings in other media. Public results can provide useful evidence, but they do not capture every private transaction, and reported prices may differ in their treatment of premiums and fees. Authentication and physical examination remain separate from market-data analysis.

## Appraisily data basis

Appraisily artist pages combine public artist-identity research with matched auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are available. Public results support comparison but do not replace authentication, condition review, provenance research, or a complete appraisal.

## Sources

- VIAF: https://viaf.org/viaf/5731680/
- Wikidata: https://www.wikidata.org/wiki/Q2743149
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500041804
- British Museum: https://www.britishmuseum.org/collection/term/BIOG30307
- Wikipedia: https://nl.wikipedia.org/wiki/Maurice_Hagemans
- Wikipedia: https://fr.wikipedia.org/wiki/Maurice_Hagemans
- Wikipedia: https://de.wikipedia.org/wiki/Maurice_Hagemans
- Appraisily: https://appraisily.com/artist/maurice-hagemans/