# Louis Clesse artist context and auction value notes

Canonical page: https://appraisily.com/artist/louis-clesse/
Profile generated: 2026-08-24T15:27:40.609Z
Quality: medium confidence, adequate sources

## Artist identity

- Nationality: Belgian
- Movements: Post-Impressionism, Figurative art
- Common media: Painting, Watercolor, Etching

## Portrait

![Louis Clesse](https://upload.wikimedia.org/wikipedia/commons/thumb/0/0c/Louis_Clesse.jpg/1280px-Louis_Clesse.jpg)
GdML · CC BY-SA 4.0
Source: https://commons.wikimedia.org/wiki/File:Louis_Clesse.jpg

## About Louis Clesse

Louis Liévin Théophile Clesse (1889–1961) was a Belgian painter, watercolorist, and etcher. Public authority records identify him as both a painter and printmaker, while the available biographical sources place his work within figurative and post-Impressionist contexts. He is especially associated with landscapes and harbor scenes, subjects that connect his practice to the Belgian landscape tradition of the early and middle twentieth century. Collectors may encounter his name on paintings, watercolors, works on paper, and etchings. His full name is useful when distinguishing his work in catalogues and authority records, although auction listings frequently use the shorter Louis Clesse. Stable records maintained by Wikidata, Getty ULAN, VIAF, RKD, and the Bibliothèque nationale de France help establish the artist's identity. Public auction data also documents a secondary market for his work, particularly in painting and works-on-paper categories.

## Common works and media

Works encountered under Louis Clesse's name commonly include figurative landscape and harbor imagery in painting, watercolor, and etching. Auction and appraisal research should distinguish unique paintings and watercolors from printed impressions, recording the support, dimensions, signature or inscriptions, condition, and any edition information that applies.

## Market and appraisal context

Louis Clesse auction results should be compared with works that are genuinely similar in medium, dimensions, subject, date, and condition. A landscape painting and an etching, for example, should not be evaluated against the same group of records without adjustment. Signature and inscription details, attribution confidence, restoration, provenance, exhibition history, and catalogue references can also affect how a work is received. Harbor scenes and landscapes are documented subjects, but subject alone does not determine value. Recent comparable public sales can provide a useful reference range when reporting methods, currencies, and buyer premiums are treated consistently. Public records remain incomplete and should be combined with physical examination and object-specific research.

## Appraisily data basis

Appraisily artist pages combine artist-identity research with matched public auction records. When available, the market evidence includes auction-house context, sale dates, realized prices, images, and comparable lots; private sales and incomplete feeds may not be represented.

## Sources

- Wikidata: https://www.wikidata.org/wiki/Q2179242
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500041375
- VIAF: https://viaf.org/viaf/37189876/
- RKD: https://rkd.nl/en/explore/artists/17238
- Bibliothèque nationale de France: https://catalogue.bnf.fr/ark:/12148/cb149717377
- Wikipedia: https://nl.wikipedia.org/wiki/Louis_Clesse
- Wikipedia: https://fr.wikipedia.org/wiki/Louis_Clesse
- Appraisily: https://appraisily.com/artist/louis-clesse/
