# Leonid Afremov artist context and auction value notes

Canonical page: https://appraisily.com/artist/leonid-afremov/
Profile generated: 2026-08-24T11:50:51.006Z
Quality: medium confidence, adequate sources

## Artist identity

- Nationality: Belarusian, Israeli
- Common media: Oil painting, Palette-knife painting technique

## Portrait

![Leonid Afremov](https://upload.wikimedia.org/wikipedia/commons/7/7c/Leonid_Afremov_-_Last_Trolley_At_Night_%26_Retro_Car_Near_The_House_-_2015.jpg)
Dmitry Afremov · CC BY-SA 4.0
Source: https://commons.wikimedia.org/wiki/File:Leonid_Afremov_-_Last_Trolley_At_Night_%26_Retro_Car_Near_The_House_-_2015.jpg

## About Leonid Afremov

Leonid Afremov (1955–2019) was a Belarusian-Israeli painter known for vividly colored oil paintings made with a palette-knife technique. Public reference sources most consistently associate his work with landscapes, city scenes, seascapes, figures, animals, and vintage automobiles. Reflections, illuminated streets, trees, and strongly contrasted color frequently shape the visual character collectors associate with his name. Authority records preserve several forms of his name, including Leonid Afrémov, Leanid Afremał, and a Cyrillic form, which can help reconcile catalogue and auction entries. Collectors encounter Afremov through original paintings as well as records classified more broadly as prints, works on paper, mixed media, and editions. The available source pack identifies his nationality, occupation, dates, technique, and recurring subjects, but it does not provide museum-grade support for assigning him to a particular formal movement or school. Those labels should therefore be used cautiously.

## Common works and media

Works associated with Afremov most commonly appear as brightly colored oil paintings executed with a palette knife. Recurring subjects documented in the source pack include landscapes, urban streets, seascapes, portraits or figures, animals, and vintage cars. Auction databases may additionally classify entries as works on paper, prints, mixed media, decorative art, or editions, but those broad labels should be checked against the individual object's medium, support, production method, and edition details before selecting comparables.

## Market and appraisal context

An Afremov appraisal should begin with genuinely comparable public sales, not an artist-wide average. Relevant comparisons should align as closely as possible on medium, dimensions, date, subject, condition, and attribution. A signature or inscription may help identify a work, but it does not by itself establish authenticity. Provenance, restoration, surface condition, edition information, and supporting catalogue or exhibition references can also affect how a lot is assessed. Appraisily's collected market page contains matched public auction records, but its broad category labels and incomplete priced coverage require care. Reported results may use different fee conventions, while private transactions and later attribution changes may be absent. Any estimate should therefore state its evidence limits and comparison date.

## Appraisily data basis

Appraisily artist pages combine public artist-identity research with matched auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are available. Coverage may omit private sales or incompletely reported transactions.

## Sources

- Wikidata: https://www.wikidata.org/wiki/Q3117810
- VIAF: https://viaf.org/viaf/4487157470202722640000/
- Appraisily: https://appraisily.com/artist/leonid-afremov/
- Wikipedia: https://fr.wikipedia.org/wiki/Leonid_Afremov
- Wikipedia: https://es.wikipedia.org/wiki/Leonid_Afr%C3%A9mov