# Kevin Charles artist context and auction value notes

Canonical page: https://appraisily.com/artist/kevin-charles/
Profile generated: 2026-08-24T17:47:19.285Z
Quality: low confidence, insufficient sources

## Artist identity



## About Kevin Charles

Kevin Charles is the name attached to a substantial group of public auction records in Appraisily’s market index, but the supplied evidence does not securely identify a single artist behind those records. The only collected authority candidate describes Kevin Charles Flick, a person associated with a 2005 University of Washington PhD, without connecting him to the auction results. This page should therefore be read as a name-matched market record rather than a verified biography. No reliable birth or death dates, nationality, artistic occupation, movement, preferred medium, or recurring subject can be assigned from the available sources. Collectors may encounter works catalogued under Kevin Charles across fine art, works on paper, prints, sculpture, mixed media, decorative art, and editions. Before connecting any object to this market record, examine the individual lot’s signature, inscriptions, provenance, catalogue description, and images.

## Common works and media

The collected auction source groups Kevin Charles results under fine art and paintings; works on paper and prints; sculpture and mixed media; and decorative art and editions. These are broad database categories, not verified evidence of one artist’s established body of work. A collector should identify the object’s actual medium, technique, dimensions, date, signature, inscriptions, and edition status before choosing comparable lots.

## Market and appraisal context

Appraisal should begin by determining whether a specific lot belongs to the same Kevin Charles represented by relevant comparables. The available index groups name-matched results across broad categories, so aggregate statistics may combine dissimilar objects or different makers. Compare works that align in medium, dimensions, date, subject, condition, restoration, signature or inscriptions, edition information, provenance, exhibition history, catalogue references, and attribution status. Recent public sales of closely similar lots are more informative than an undifferentiated name-level result. Reported totals may also handle buyer premiums or fees differently. Public auction data provides comparative evidence, but it does not replace physical examination, authentication, or a complete appraisal.

## Appraisily data basis

Appraisily artist pages combine identity research with matched public auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are available. For Kevin Charles, identity evidence is presently insufficient, so name-matched market data should be interpreted cautiously.

## Sources

- Appraisily: https://appraisily.com/artist/kevin-charles/
- Wikidata: https://www.wikidata.org/wiki/Q110717562
- Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Charles_Shaughnessy_with_Kevin_Tostado.jpg
- Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Kevin_Charles_Lewis_in_2012.JPG
- Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Kevin-bond-allen-st-charles-anglican.jpg
- Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Kevin_lewis_temp_portrait.jpg
- Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Andrew_Tobias,_Kevin_Blaesing,_Charles_Kaiser_1996.jpg
