# Jurij Pavlovic Annenkov artist context and auction value notes

Canonical page: https://appraisily.com/artist/jurij-pavlovic-annenkov/
Profile generated: 2026-05-09T13:00:30.000Z
Quality: high confidence, strong sources

## Artist identity

- Birth date: 1889-07-23
- Death date: 1974-07-12
- Nationality: Russian
- Movements: Mir Iskusstva (World of Art), Russian avant-garde
- Common media: Drawing and draughtsmanship, Painting, Graphic art and printmaking, Watercolour, Collage

## About Jurij Pavlovic Annenkov

Jurij Pavlovic Annenkov (1889-1974) was a Russian painter, draughtsman, and illustrator best known for his portraiture and book illustrations. A leading member of the Mir Iskusstva (World of Art) movement and a figure of the Russian avant-garde, he studied under Maurice Denis and Félix Vallotton in Paris before returning to Russia, where he produced acclaimed portraits of cultural figures including Lenin and Blok. After emigrating to France in 1924, he continued working as Georges Annenkoff, expanding into theatre and cinema set design while maintaining his illustration practice. His work bridges Russian modernism and the broader European émigré art scene, making his output of interest to collectors across both traditions. MoMA, the RKD, and Getty ULAN all hold authority records for Annenkov, reflecting his established place in twentieth-century art history.

## Common works and media

Collectors most often encounter Annenkov's pen-and-ink and charcoal portrait drawings, watercolour illustrations for literary editions, lithographic prints, and theatre set and costume designs. He also produced collages and occasional oil paintings. Illustrated books featuring his graphic work appear in both Russian and French literary markets. His name appears under several variant spellings in auction catalogues, so searching under both 'Annenkov' and 'Annenkoff' is advisable.

## Market and appraisal context

Annenkov's work appears at auction primarily as drawings, prints, watercolours, and graphic works, with paintings less frequently encountered. His illustrated books and theatre designs also surface periodically. Collectors should note his multiple name forms — Annenkov, Annenkoff, and the literary pseudonym B. Temiryazev — which can fragment auction records across catalogues. Provenance distinguishing pre-1924 Russian works from later French-period output can affect collector interest. Portraits of identifiable cultural figures may carry a premium. As with all works on paper from this era, condition assessment for fading, foxing, and mounting is essential to appraisal.

## Appraisily data basis

Appraisily artist pages combine verified artist identity research from museum and library authority files with auction records, auction-house context, sale dates, realised prices, and comparable lots when those records are available. For Jurij Pavlovic Annenkov, identity data is grounded in records from MoMA, the RKD, Getty ULAN, VIAF, and Wikidata.

## Sources

- Wikidata: https://www.wikidata.org/wiki/Q1362480
- Wikipedia: https://en.wikipedia.org/wiki/Yury_Annenkov
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500031571
- VIAF: https://viaf.org/viaf/40183103/
- Library of Congress: https://id.loc.gov/authorities/names/n82270340
- The Museum of Modern Art: https://www.moma.org/artists/12172
- RKD (Netherlands Institute for Art History): https://rkd.nl/en/explore/artists/1965