# Jennifer Losch Bartlett artist context and auction value notes

Canonical page: https://appraisily.com/artist/jennifer-losch-bartlett/
Profile generated: 2026-05-04T22:31:02.571Z
Quality: high confidence, strong sources

## Artist identity

- Birth date: 1941-03-14
- Death date: 2022-07-25
- Nationality: American
- Movements: Conceptual art, Neo-Expressionism
- Common media: Enamel on steel plate, Painting, Printmaking, Sculpture

## About Jennifer Losch Bartlett

Jennifer Losch Bartlett (1941–2022) was an American painter, sculptor, and printmaker born in Long Beach, California. She became one of the most distinctive voices in late-twentieth-century American art by merging the serial, system-based logic of Conceptualism with the gestural energy of Neo-Expressionism. Bartlett is best known for works composed on small square enamel-coated steel plates, assembled into expansive grid formations that range from intimate wall pieces to room-scale installations. Her practice also encompassed prints, drawings, and sculptures that explore color, repetition, and mathematical structure. Major museums including Tate and the Museum of Modern Art hold her work in their permanent collections. In addition to her visual art, Bartlett published a novel, reflecting her wide-ranging creative interests.

## Common works and media

Collectors are most likely to encounter Bartlett's enamel-on-steel-plate grid works, which range from small multi-plate compositions to large-scale installations. She also produced paintings on canvas, screen prints, lithographs, and mixed-media drawings. Her subjects often involve systematic explorations of color and form, house and garden motifs, and abstract serial imagery. Sculptural works and public commissions also appear on the market. The 726 auction records associated with her name on Appraisily span these various media.

## Market and appraisal context

Jennifer Bartlett's auction market is deep and liquid, with 509 recorded lots spanning 1991 through March 2026 and 336 priced results. The price distribution is wide but structured: the median is $3,600, the 25th percentile sits at $1,500, and the 75th percentile at $12,500, with a ceiling of $210,000 for top-tier works. Major houses dominate the top of the market — Christie's, Sotheby's, Bonhams, and Phillips — while Rago Arts and Auction Center, Freeman's, and Swann Auction Galleries handle the mid-range and prints. Recent 12-month volume (23 lots) is slightly below the prior year (29 lots), suggesting stable but modestly softening liquidity. Recent highlights include 'Earth' (oil, colored pencil, and graphite on canvas) selling for $88,200 at Christie's in May 2025, 'Painting In, Painting Out' at $38,000 at Bonhams in September 2025, and 'East West' at $30,240 at Christie's in February 2025. Early 1970s serial works such as 'Black 6'' Squares Series #7' achieved $10,000 at Freeman's in November 2025. Prints and posters (including American Dance Festival offset lithographs) trade in the low hundreds to low thousands, forming an accessible entry tier.

## Auction-house-backed market evidence

Jennifer Bartlett's auction market is deep and liquid, with 509 recorded lots spanning 1991 through March 2026 and 336 priced results. The price distribution is wide but structured: the median is $3,600, the 25th percentile sits at $1,500, and the 75th percentile at $12,500, with a ceiling of $210,000 for top-tier works. Major houses dominate the top of the market — Christie's, Sotheby's, Bonhams, and Phillips — while Rago Arts and Auction Center, Freeman's, and Swann Auction Galleries handle the mid-range and prints. Recent 12-month volume (23 lots) is slightly below the prior year (29 lots), suggesting stable but modestly softening liquidity. Recent highlights include 'Earth' (oil, colored pencil, and graphite on canvas) selling for $88,200 at Christie's in May 2025, 'Painting In, Painting Out' at $38,000 at Bonhams in September 2025, and 'East West' at $30,240 at Christie's in February 2025. Early 1970s serial works such as 'Black 6'' Squares Series #7' achieved $10,000 at Freeman's in November 2025. Prints and posters (including American Dance Festival offset lithographs) trade in the low hundreds to low thousands, forming an accessible entry tier.

### Appraisal notes

Appraisily would use the 509-lot auction record index to establish comparable-sale ranges keyed to medium, date, series, and scale. For enamel-on-steel-plate grid works, the number of plates and overall dimensions are critical comparables — larger installations command significantly more than single or small multi-plate compositions. Early career works from the 1970s (Positive Negative Series, Black Squares Series) and large paintings on canvas from the 1980s–1990s anchor the upper end of the range, while prints, posters, and works on paper sit in the sub-$2,000 tier. An appraisal would combine these records with photographs of the work, measured dimensions, medium confirmation, signature verification, condition report, provenance chain (especially any museum loan or exhibition history), edition details for prints, and comparable lots from the same series or period. Provenance linking to institutions such as MoMA, Tate, or notable private collections can materially affect value.

### Valuation factors

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### Collector notes

- Bartlett's market has a clear two-tier structure. Entry-level collectors can acquire prints and posters (American Dance Festival lithographs, Swann-sold multiples) for under $2,000, while significant paintings and large grid works trade at $10,000–$210,000. The artist's death in 2022 may provide long-term upward pressure on supply-constrained segments, particularly for large-scale installations and early 1970s serial works. Christie's and Bonhams are the primary venues for top-tier material; Rago, Freeman's, and Swann handle mid-range and print offerings. Collectors should be aware that poster editions (especially unsigned American Dance Festival prints) trade at the low end and should not be compared directly to unique works. Authentication of early plate works requires careful matching to documented series. The 726 Appraisily auction records provide a broad base for comparable-sale research across all media.

### Market caveats

- Price data covers 336 of 509 lots; 173 lots lack realized prices, which may include unsold works, withdrawn lots, or results not yet reported
- Recent 12-month volume (23 lots) is lower than the prior 12-month period (29 lots), which could indicate softening demand or simply reflect auction cycle timing
- Posters and multiples may be overrepresented in recent lots (DUMBO Auctions listings), potentially skewing perceptions of the artist's primary market
- No specific auction-category tags were provided in the source data; categories are inferred from medium descriptions and auction-house sale contexts
- The artist's death in July 2022 is recent; estate-related works may enter the market in ways that affect near-term pricing and availability
- Name variant (Losch vs. Loach per RKD) may cause some auction records to appear under alternate name forms, potentially undercounting total lots

### Market evidence sources

- Appraisily auction record index: https://appraisily.com/api/scraper-search/artists/jennifer-losch-bartlett/seo-profile?recentLimit=24&relatedLimit=0
- Christie's via Invaluable: https://www.invaluable.com/auction-lot-jennifer-bartlett-1941-2022-earth-oil-colored-pencil-and-graphite-on-c-622-c-8ed4be3a05
- Bonhams via Invaluable: https://www.invaluable.com/auction-lot-jennifer-bartlett-1941-2022-painting-in-painting-out-1998-12-c-6844f678fe
- Christie's via Invaluable: https://www.invaluable.com/auction-lot-jennifer-bartlett-1941-2022-east-west-image-36-3-8-x-73-7-8-in-924-x-84-c-174424b817
- Rago Arts and Auction Center via Invaluable: https://www.invaluable.com/auction-lot-jennifer-bartlett-2-p-m-loafers-109-c-9514de6ae1
- Freeman's via Invaluable: https://www.invaluable.com/auction-lot-jennifer-bartlett-american-1941-2022-black-6-squares-series-7-1972-9-c-0eaaf37a35
- Rago Arts and Auction Center via Invaluable: https://www.invaluable.com/auction-lot-jennifer-bartlett-10-am-grass-151-c-8a9449d8ee
- Rago Arts and Auction Center via Invaluable: https://www.invaluable.com/auction-lot-jennifer-bartlett-shadow-117-c-e8e6a77ebc
- Rago Arts and Auction Center via Invaluable: https://www.invaluable.com/auction-lot-jennifer-bartlett-in-the-garden-170-109-c-8274bbdaaf
- Rago Arts and Auction Center via Invaluable: https://www.invaluable.com/auction-lot-jennifer-bartlett-series-iii-set-10-110-c-0a3459d913
- Bonhams via Invaluable: https://www.invaluable.com/auction-lot-jennifer-bartlett-1941-2022-house-6-from-house-ii-81-c-4494059bd9
- Swann Auction Galleries via Invaluable: https://www.invaluable.com/auction-lot-jennifer-bartlett-1941-2022-spring-and-summer-1992-121-c-66333dcae7
- Rago Arts and Auction Center via Invaluable: https://www.invaluable.com/auction-lot-jennifer-bartlett-in-the-garden-116-134-c-bfa4e0596a
- Material Culture via Invaluable: https://www.invaluable.com/auction-lot-jennifer-bartlett-1941-2022-mixed-media-15-x-15-44-c-1d14117a3a

## Appraisily data basis

Appraisily artist pages combine artist identity research from library authorities, museums, and encyclopedic sources with auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are available. For Jennifer Bartlett, identity data is grounded in the Library of Congress Name Authority File, VIAF, Wikidata, and the RKD Netherlands Institute for Art History.

## Sources

- Library of Congress: https://id.loc.gov/authorities/names/n81041285
- Wikidata: https://www.wikidata.org/wiki/Q6178106
- Wikipedia: https://en.wikipedia.org/wiki/Jennifer_Bartlett
- VIAF: https://viaf.org/viaf/39149066346965600398/
- RKD Netherlands Institute for Art History: https://rkd.nl/en/explore/artists/103469
- Tate: https://www.tate.org.uk/art/artists/jennifer-bartlett-698
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500021315
- The Museum of Modern Art: https://www.moma.org/artists/357