# James Duffield Harding artist context and auction value notes

Canonical page: https://appraisily.com/artist/james-duffield-harding/
Profile generated: 2026-08-24T22:20:21.435Z
Quality: medium confidence, adequate sources

## Artist identity

- Death date: 1863-12-04
- Nationality: British
- Movements: British landscape painting
- Common media: Watercolour, Lithography, Painting, Engraving, Drawing manuals and instructional publications

## Portrait

![James Duffield Harding](https://upload.wikimedia.org/wikipedia/commons/7/7a/James_Duffield_Harding04.jpg)
Henry Perronet Briggs (1793-1844) · Public domain
Source: https://commons.wikimedia.org/wiki/File:James_Duffield_Harding04.jpg

## About James Duffield Harding

James Duffield Harding (1798–1863) was a British artist associated with landscape painting and works on paper. Public authority records identify him as a painter, engraver, and writer, while biographical sources also describe his work as a watercolourist and lithographer. His practice therefore crossed original paintings and drawings, printed images, and art instruction. Harding is particularly connected with watercolour techniques using tinted paper and opaque colour, an approach that helped give landscape studies greater tonal range and visual weight. He also wrote drawing manuals, extending his presence beyond exhibited or collected objects into nineteenth-century artistic education. Collectors may encounter his name on watercolours, landscape paintings, drawings, lithographs, engravings, and illustrated or instructional publications. Because these objects differ substantially in process and status, identifying the medium and determining whether a work is an original, a print, or a published plate is an important first step in researching it.

## Common works and media

Works associated with Harding include landscape watercolours, drawings, paintings, lithographs, engravings, and drawing manuals or related illustrated publications. His documented use of tinted paper and opaque paint is especially relevant when describing watercolours. Printed images and book plates should be distinguished from unique works, and a publication bearing his name should not automatically be treated as an original drawing or painting.

## Market and appraisal context

Auction and appraisal research for Harding should begin with the object's medium and work type. A watercolour or drawing should be compared with similar original works on paper, while a lithograph, engraving, or published plate belongs to a different comparison set. Technique also matters: sources associate Harding with tinted papers and opaque colour as well as conventional painting and printmaking. Appraisily's artist page provides an auction-record signal, but the collected source pack does not include enough individual lot evidence to support a price trend or prediction. A defensible appraisal should therefore use comparable public sales matched by medium, subject, and object type, followed by object-specific assessment of authorship, condition, provenance, dimensions, date, and any edition information.

## Appraisily data basis

Appraisily artist pages combine public artist-identity research with auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are available. Object-specific conclusions still require direct examination and appropriately matched evidence.

## Sources

- Wikidata: https://www.wikidata.org/wiki/Q3161038
- VIAF: https://viaf.org/viaf/44478030/
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500009467
- Wikipedia: https://en.wikipedia.org/wiki/James_Duffield_Harding
- Wikipedia: https://fr.wikipedia.org/wiki/James_Duffield_Harding
- Appraisily: https://appraisily.com/artist/james-duffield-harding/
- Wikimedia Commons: https://commons.wikimedia.org/wiki/File:James_Duffield_Harding04.jpg