# Hermann Struck artist context and auction value notes

Canonical page: https://appraisily.com/artist/hermann-struck/
Profile generated: 2026-05-02T05:34:00.000Z
Quality: high confidence, strong sources

## Artist identity

- Birth date: 1876-03-06
- Death date: 1944-01-11
- Nationality: German
- Common media: etching, painting, lithography

## About Hermann Struck

Hermann Struck (1876–1944) was a German-Jewish painter, etcher, and lithographer recognized as one of the foremost printmakers of his generation. Born in Berlin on March 6, 1876, he trained in the graphic arts and built his reputation on technically accomplished etchings that earned him wide acclaim across Europe. A committed Zionist, Struck emigrated to Palestine in 1922 and settled in Haifa, where he continued to produce work and mentor younger artists until his death on January 11, 1944. He also served as a military officer and translator during World War I. His works are held in major museum collections, including the Museum of Modern Art in New York, and his career is documented in the standard artist dictionaries of Thieme/Becker, Vollmer, and Bénézit. With over 1,300 recorded auction appearances, Struck's prints are familiar to collectors of early-twentieth-century German and Central European graphic art.

## Common works and media

Struck's most commonly encountered works at auction and in collections are original etchings and drypoints, often landscapes, city views, portraits, and scenes of Jewish life. He also produced lithographs, paintings in oil and watercolor, and drawings. His graphic work spans both his German period (through 1922) and his years in Palestine, with subjects ranging from European cityscapes and rural scenes to Middle Eastern landscapes and biblical themes. Collectors may also encounter reproductions and later impressions; edition details and plate marks should be examined to confirm authenticity.

## Market and appraisal context

Hermann Struck's auction market is well-established and liquid, with 947 recorded lots dating from September 2002 to April 2026, of which 631 carry realized prices. The price distribution is broad: the interquartile range spans $90–$260 USD with a median of $150, indicating that the bulk of his work at auction consists of affordable-to-mid-range original prints—primarily etchings. A maximum recorded price of $40,000 signals that exceptional pieces (likely important paintings, large-format works, or historically significant etchings) can reach substantially higher values. Recent 12-month activity totals 31 lots, down from 64 in the prior 12 months, suggesting a modest contraction in supply rather than a collapse in demand. The dominant auction houses—Pasarel, Yair Art Gallery, Kedem Public Auction House, Auktionshaus Schwab, and Tiroche—are concentrated in Israel and Germany, reflecting the geographic axis of Struck's career (Berlin through 1922, then Haifa). Bonhams also appears among the top ten, confirming occasional placement at major international houses. The most commonly encountered works are original etchings of Jerusalem landscapes, Jewish life scenes, and portraits (including the notable signed etching of Theodor Herzl), with occasional watercolors and pastels fetching comparable prices.

## Auction-house-backed market evidence

Hermann Struck's auction market is well-established and liquid, with 947 recorded lots dating from September 2002 to April 2026, of which 631 carry realized prices. The price distribution is broad: the interquartile range spans $90–$260 USD with a median of $150, indicating that the bulk of his work at auction consists of affordable-to-mid-range original prints—primarily etchings. A maximum recorded price of $40,000 signals that exceptional pieces (likely important paintings, large-format works, or historically significant etchings) can reach substantially higher values. Recent 12-month activity totals 31 lots, down from 64 in the prior 12 months, suggesting a modest contraction in supply rather than a collapse in demand. The dominant auction houses—Pasarel, Yair Art Gallery, Kedem Public Auction House, Auktionshaus Schwab, and Tiroche—are concentrated in Israel and Germany, reflecting the geographic axis of Struck's career (Berlin through 1922, then Haifa). Bonhams also appears among the top ten, confirming occasional placement at major international houses. The most commonly encountered works are original etchings of Jerusalem landscapes, Jewish life scenes, and portraits (including the notable signed etching of Theodor Herzl), with occasional watercolors and pastels fetching comparable prices.

### Appraisal notes

When appraising a Hermann Struck work, Appraisily would use the 947-lot auction record as a comparable-sales baseline, then refine against the specific work's characteristics. Key inputs the appraiser would need: (1) high-resolution photographs showing plate mark, signature, paper, and condition; (2) exact plate and sheet dimensions (etchings measured to the plate mark); (3) medium confirmation—whether the work is an original etching, drypoint, lithograph, watercolor, pastel, or oil; (4) edition details, state, and any catalogue raisonné references; (5) provenance history, especially if linked to Struck's Berlin or Haifa periods; (6) subject matter, as Judaica-themed works and Jerusalem views tend to trade in the Israeli auction circuit, while WWI-era portraits and German landscapes appear more often at European houses. The median price of $150 and interquartile range of $90–$260 provide a starting band for typical etchings in fair-to-good condition, but the $40,000 ceiling demonstrates that important works can deviate dramatically. The appraiser would narrow the range by matching the specific medium, size, period, subject, condition, and edition against the closest comparable lots in the record set.

### Valuation factors

- Medium: original etchings dominate the market and trade in the $90–$260 interquartile range; watercolors, pastels, and oils are less common at auction and may carry a premium
- Subject: Jerusalem landscapes and Jewish-life scenes are the most frequently offered lots, driven by Israeli auction-house demand; portraits of named figures (e.g., Theodor Herzl) can command premiums
- Period: works from Struck's Berlin period (pre-1922) and Haifa period (1922–1944) appear at different houses and may attract distinct collector bases
- Edition and state: plate dimensions, edition size, impression quality, and catalogue raisonné references directly affect value for prints
- Condition: paper tone, foxing, margins, plate wear, and framing condition are critical for etchings and works on paper
- Provenance: documented history linking a work to Struck's studio, a named collection, or a published reference strengthens attribution and value
- Auction venue: realized prices at Israeli specialist houses (Kedem, Pasarel, Tiroche) versus international houses (Bonhams) may differ due to buyer-pool composition

### Collector notes

- Struck's original etchings are accessible entry points for collectors of early-twentieth-century German and Jewish graphic art, with most lots realizing between $90 and $260. Buyers should verify that lots described as etchings carry visible plate marks and are not later photomechanical reproductions. Signed works and those with clear edition information are preferable. The $40,000 auction ceiling reflects rare or exceptional pieces—likely important paintings or historically significant prints—and should not be used to benchmark a typical etching. Sellers should note that recent 12-month auction volume (31 lots) is roughly half the prior year's (64 lots), which could indicate tighter supply; pricing against the most recent comparable lots rather than older records is advisable. The Herzl portrait etching realized $175 at Concept Art Gallery in 2022, setting a useful data point for similar Judaica-portrait prints. Works consigned to Israeli specialist houses such as Kedem, Pasarel, or Tiroche may reach the most motivated buyer pool for Struck's Judaica and Palestine-themed subjects.

### Market caveats

- Price data covers 631 of 947 recorded lots; 316 lots lack realized prices (unsold, withdrawn, or price not reported), which may bias the distribution toward sold works.
- The $40,000 maximum is an outlier relative to the $150 median; it likely represents a single exceptional work and should not anchor expectations for a typical etching.
- Recent 12-month volume (31 lots) is approximately half the prior 12-month volume (64 lots); this could reflect market softening, reduced consignment supply, or incomplete recent data ingestion.
- Multiple recent lots at Yair Art Gallery show null priceRealised, making it difficult to assess that house's pricing trajectory for Struck's work.
- The Appraisily auction signals are derived from public auction feeds and may not capture private sales, gallery transactions, or all international auction results.
- Currency is mixed: most lots are in USD, but Auktionshaus Schwab lots are denominated in EUR; currency conversion was not applied in the source data.
- Attribution should be verified: consult the catalogue raisonné, RKD, or a qualified specialist for works not clearly signed or documented.

### Market evidence sources

- undefined: https://appraisily.com/api/scraper-search/artists/hermann-struck/seo-profile?recentLimit=24&relatedLimit=0
- undefined: https://www.invaluable.com/auction-lot-hermann-struck-1876-1944-jerusalem-watercolors-on-paper-1941-79-c-aa8c471e97
- undefined: https://www.invaluable.com/auction-lot-hermann-struck-signed-etching-of-theodor-herzl-130-c-01241d19cc
- undefined: https://www.invaluable.com/auction-lot-hermann-struck-germany-1876-1944-homeless-1922-etching-12-5-x-8-5-framed-18-25-x-14-142-c-8ed910aeed
- undefined: https://www.invaluable.com/auction-lot-hermann-struck-1876-1944-jerusalem-pastel-and-color-pencils-on-paper-1926-166-c-aa2b16ac91
- undefined: https://www.invaluable.com/auction-lot-hermann-struck-1876-1944-temple-mount-to-olive-mount-landscape-jerusalem-etching-165-c-018806fd5f
- undefined: https://www.invaluable.com/auction-lot-hermann-struck-1876-1944-konvolut-6-grafiken-a-collection-of-6-graphic-works-20-jh-451304-c-1e49cb6767

## Appraisily data basis

This Appraisily artist page combines identity research from the Library of Congress, VIAF, Wikidata, the Rijksbureau voor Kunsthistorische Documentatie (RKD), and the Museum of Modern Art with publicly available auction-house records and Invaluable lot data. Sale dates, realized prices, medium descriptions, and comparable lots are incorporated when those records are available.

## Sources

- Library of Congress: https://id.loc.gov/authorities/names/nr96035392
- Wikidata: https://www.wikidata.org/wiki/Q473771
- VIAF: https://viaf.org/viaf/61783179/
- RKD (Rijksbureau voor Kunsthistorische Documentatie): https://rkd.nl/en/explore/artists/75831
- The Museum of Modern Art: https://www.moma.org/artists/5698
- Wikipedia: https://en.wikipedia.org/wiki/Hermann_Struck