# Hermann Friedrich Bieling artist context and auction value notes

Canonical page: https://appraisily.com/artist/hermann-friedrich-bieling/
Profile generated: 2026-08-24T15:45:03.523Z
Quality: medium confidence, adequate sources

## Artist identity

- Nationality: Dutch
- Movements: Modern art
- Common media: Painting, Sculpture, Graphic art

## Portrait

![Hermann Friedrich Bieling](https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/1929_Rotterdamsch_Nieuwsblad_-_Koninginnedag_te_Hillegersberg.jpg/1280px-1929_Rotterdamsch_Nieuwsblad_-_Koninginnedag_te_Hillegersberg.jpg)
Anonymous Unknown author · Public domain
Source: https://commons.wikimedia.org/wiki/File:1929_Rotterdamsch_Nieuwsblad_-_Koninginnedag_te_Hillegersberg.jpg

## About Hermann Friedrich Bieling

Hermann Friedrich Bieling (1887–1964), widely indexed as Herman Bieling, was a Dutch painter, sculptor, and graphic artist active during the first half of the twentieth century. Authority records connect several forms of his name, including H. F. Bieling and Herman Frederik Bieling, to the same artist. Public biographical summaries also describe him as an advocate for modern art, placing his varied practice within the Dutch modern-art context. Collectors may therefore encounter his name on paintings, sculptures, or graphic works rather than in connection with only one medium. This breadth makes identity reconciliation particularly important when reviewing signatures, catalogues, and auction records. Appraisily retains the fuller input name while linking established authority identities to support more reliable entity matching. The collected material is strongest on Bieling's identity, lifespan, and professional roles but remains thin on specific techniques, subjects, dated periods, and named series.

## Common works and media

Works encountered in auction and appraisal contexts may include paintings, sculptures, and graphic works. The collected sources confirm this broad professional range but do not provide enough detail to identify recurring subjects, specific print processes, edition practices, named series, or preferred painting techniques. Individual objects should therefore be classified from their physical and documentary evidence rather than assigned to a narrower category from the artist's name alone.

## Market and appraisal context

The available source pack establishes Bieling's multi-medium identity and an Appraisily auction-record signal, but it does not expose enough lot-level data to describe price ranges or trends. An appraisal should first determine whether an object belongs with his painting, sculpture, or graphic practice and then reconcile its attribution against his documented name variants. Public comparisons should be matched by work type and sale date, with any realized price considered alongside the underlying lot description. Because the collected evidence does not establish recurring subjects, editions, named series, or detailed techniques, this profile makes no claims about scarcity, price direction, or which parts of Bieling's output may command a premium.

## Appraisily data basis

Appraisily artist pages combine artist-identity research and stable authority links with auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are publicly available and sufficiently documented.

## Sources

- VIAF: https://viaf.org/viaf/44004314/
- Wikidata: https://www.wikidata.org/wiki/Q2277308
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500083839
- Wikipedia: https://en.wikipedia.org/wiki/Herman_Bieling
- Wikipedia: https://nl.wikipedia.org/wiki/Herman_Bieling
- Appraisily: https://appraisily.com/artist/hermann-friedrich-bieling/
- Wikimedia Commons: https://commons.wikimedia.org/wiki/File:1929_Rotterdamsch_Nieuwsblad_-_Koninginnedag_te_Hillegersberg.jpg