# Herman Brood artist context and auction value notes

Canonical page: https://appraisily.com/artist/herman-brood/
Profile generated: 2026-05-06T21:56:36.042Z
Quality: high confidence, strong sources

## Artist identity

- Birth date: 1946-11-05
- Death date: 2001-07-11
- Nationality: Dutch
- Common media: painting, sculpture, drawing

## About Herman Brood

Herman Brood (1946–2001) was a Dutch painter, sculptor, musician, and poet born in Zwolle, the Netherlands. He enrolled at the Kunstacademie in Arnhem in 1964, where he formed his first band while cultivating a lifelong interest in drawing. Brood rose to national prominence as a rock musician during the 1970s and 1980s, earning wide recognition as one of the Netherlands' most charismatic performers. In his later years he turned increasingly to painting and sculpture, producing a substantial body of visual work documented by institutions including the RKD (Rijksbureau voor Kunsthistorische Documentatie). His visual art shares the raw, energetic quality of his music. Brood died in Amsterdam on July 11, 2001. Collectors today encounter his paintings, drawings, prints, and sculptures at auction, where his dual reputation as a cultural figure and visual artist continues to attract interest.

## Common works and media

Brood produced paintings in acrylic and oil on canvas and panel, often in bold, expressive colors with figurative and portrait subjects. His works on paper include drawings in ink, pencil, and mixed media. Screen prints and lithographs were produced in editions and are frequently encountered at auction. Sculptural works in various materials are also documented. Recurring subjects include figurative compositions, portraits, and motifs drawn from music and urban culture.

## Market and appraisal context

Herman Brood's secondary market is active and liquid, anchored by 383 documented auction lots (274 with realized prices) spanning December 2002 through April 2026. The market is predominantly Dutch, with ten auction houses appearing repeatedly—Maison Jules Veilinghuis, Bernaerts Auctioneers, Cnock Auctions, AAG Auctioneers, Veilinghuis Onder de Boompjes, DEWIT Auctions, and Adams Amsterdam Auctions handling the bulk of volume, alongside occasional appearances by Christie's. Unique oil and acrylic paintings on canvas command the strongest prices: recent examples include an untitled 1989 oil on canvas at €4,000 (Maison Jules, February 2026), a signed "Blue dog" oil at €2,200, and an "Aircraft" oil at €1,800 (both CR Art Auctions, April 2026). Signed acrylic and spray works on canvas trade in the €600–€1,400 band. Screen prints (zeefdruk) and lithographs cluster between €200 and €600, reflecting their editioned nature and wider availability. Works on paper and small drawings trade below €360. The overall price distribution is right-skewed: the 25th percentile is €200, the median is €440, and the 75th percentile is €1,300, with a recorded ceiling of €5,500. Liquidity remains solid—35 lots sold in the most recent 12-month window, though this represents a decline from 59 in the prior 12 months, suggesting some cooling in market tempo. Brood's celebrity as a Dutch rock icon sustains collector interest beyond conventional art-market fundamentals, drawing bidders from both art and music-memorabilia circles.

## Auction-house-backed market evidence

Herman Brood's secondary market is active and liquid, anchored by 383 documented auction lots (274 with realized prices) spanning December 2002 through April 2026. The market is predominantly Dutch, with ten auction houses appearing repeatedly—Maison Jules Veilinghuis, Bernaerts Auctioneers, Cnock Auctions, AAG Auctioneers, Veilinghuis Onder de Boompjes, DEWIT Auctions, and Adams Amsterdam Auctions handling the bulk of volume, alongside occasional appearances by Christie's. Unique oil and acrylic paintings on canvas command the strongest prices: recent examples include an untitled 1989 oil on canvas at €4,000 (Maison Jules, February 2026), a signed "Blue dog" oil at €2,200, and an "Aircraft" oil at €1,800 (both CR Art Auctions, April 2026). Signed acrylic and spray works on canvas trade in the €600–€1,400 band. Screen prints (zeefdruk) and lithographs cluster between €200 and €600, reflecting their editioned nature and wider availability. Works on paper and small drawings trade below €360. The overall price distribution is right-skewed: the 25th percentile is €200, the median is €440, and the 75th percentile is €1,300, with a recorded ceiling of €5,500. Liquidity remains solid—35 lots sold in the most recent 12-month window, though this represents a decline from 59 in the prior 12 months, suggesting some cooling in market tempo. Brood's celebrity as a Dutch rock icon sustains collector interest beyond conventional art-market fundamentals, drawing bidders from both art and music-memorabilia circles.

### Appraisal notes

Appraisily would combine the 383-lot auction record with the specific characteristics of the item presented for appraisal. Key appraisal inputs include: (1) medium—unique oil or acrylic paintings on canvas carry the highest weight; screen prints and lithographs are valued within their edition segment; (2) dimensions—large-format canvases (e.g., the 180 × 180 cm double portrait) are rarer and priced accordingly; (3) date of execution—dated works from the late 1980s and 1990s appear to command premiums in recent results; (4) signature and inscription—signed and dated lots are consistently noted in auction titles; (5) condition report—no condition data is available in the source pack, so this must be assessed independently; (6) provenance—documented ownership history strengthens value, especially for unique paintings; (7) edition details for prints—edition size, plate signature versus hand signature, and publisher all affect value within the €200–€600 print segment. Comparable lots are selected from the same medium, similar dimensions, and proximate date range, with preference for results from the past three years. The broad price range (€10–€5,500) underscores the importance of matching comparables closely rather than relying on aggregate statistics alone.

### Valuation factors

- Medium: unique oil or acrylic paintings on canvas command the highest prices (€1,200–€5,500 range for signed works); screen prints and lithographs trade in the €200–€600 band; works on paper and small drawings generally below €360
- Dimensions and scale: large-format canvases (e.g., 180 × 180 cm) are comparatively scarce and priced at the top of the range; smaller works cluster at or below the median
- Date of execution: dated works from the late 1980s and 1990s appear to attract stronger bidding in recent auction results
- Signature and inscriptions: hand-signed and dated lots are consistently highlighted in auction cataloguing; unsigned or plate-signed prints trade lower
- Edition status: unique paintings versus editioned screen prints/lithographs represent distinct market segments with different price expectations
- Celebrity crossover demand: Brood's iconic status as a Dutch rock musician draws collectors from both art and music-memorabilia markets, which can amplify demand and introduce volatility
- Auction house tier: results from major houses (e.g., Christie's) may carry different weight than regional Dutch auctioneers for insurance or estate valuation purposes
- Condition and provenance: neither condition reports nor provenance chains are available in the auction-record data; these must be established independently for a credible appraisal

### Collector notes

- Herman Brood works come to auction frequently—roughly 3–5 lots per month across Dutch and Belgian houses—so buyers have regular opportunities and should not feel pressured to overpay. The market shows a clear tiering: expect to pay €1,200–€4,000+ for signed, unique oil or acrylic paintings on canvas; €200–€600 for screen prints and lithographs; and under €360 for drawings and works on paper. Large-format paintings (over 100 cm on a side) are less common and may warrant a premium over the median. Print buyers should verify edition numbers, total edition size, and whether the signature is hand-signed or plate-signed, as this materially affects value within the print segment. The recent decline from 59 to 35 lots over consecutive 12-month windows may reflect normal market cycling rather than softening demand, but it is worth monitoring. Sellers should ensure professional photography and condition reports, as many lots in the record lack images and detailed descriptions, which can suppress bidding. Authentication is particularly important for Brood because his prolific output includes both unique studio works and widely circulated editions or reproductions.

### Market caveats

- Auction-record prices are in EUR and reflect hammer or realized prices; buyer's premiums, VAT, and commissions are not included and will increase the effective acquisition cost
- Of 383 documented lots, 274 have realized prices; 109 lots (28%) lack price data, typically because they were withdrawn, unsold, or results have not yet been reported
- The recorded maximum price of €5,500 represents the upper bound observed in this dataset but may not reflect the absolute ceiling; results from Christie's and other major houses may include higher-value lots not fully captured in the recent 24-lot sample
- No catalogue raisonné or comprehensive published inventory exists for Brood's visual oeuvre; attribution relies on auction-house cataloguing and should be independently confirmed, especially for unsigned works
- Brood produced both unique works and editioned prints/reproductions; the distinction is not always clearly stated in auction titles, and buyers should verify medium, edition size, and signature type before purchase
- Condition data is absent from the auction-record source pack; condition significantly affects value for works on paper and canvas and must be assessed independently
- Celebrity-driven demand introduces a volatility component that is distinct from conventional art-market appreciation patterns; past auction results are not a guarantee of future value

### Market evidence sources

- undefined: https://appraisily.com/api/scraper-search/artists/herman-brood/seo-profile?recentLimit=24&relatedLimit=0
- undefined: https://www.invaluable.com/auction-lot-herman-brood-zwolle-1946-2001-amsterdam-double-portrait-of-rock-roll-legends-vince-taylor-and-freddy-cannon-signed-dated-93-and-annotated-with-the-names-of-the-sitters-acrylic-on-canvas-180-x-180-cm-1138-c-8a14362bcd
- undefined: https://www.invaluable.com/auction-lot-herman-brood-1946-2001-18-c-8f84ca2be2
- undefined: https://www.invaluable.com/auction-lot-herman-brood-1946-2001-aircraft-oil-on-canvas-signed-341-c-7fb6778257
- undefined: https://www.invaluable.com/auction-lot-herman-brood-1946-2001-oil-on-canvas-untitled-1989-signed-1223-c-8bc8b97cc1
- undefined: https://www.invaluable.com/auction-lot-herman-brood-1946-2001-haven-grote-zeefd-258-c-7fef7850f4

## Appraisily data basis

Appraisily artist pages combine identity research from authority files and institutional records with auction-house context, sale dates, realized prices, and comparable lots. For Herman Brood, sources include the RKD artist database, the Library of Congress Name Authority File, VIAF, Wikidata, and the artist's official estate website, supplemented by Appraisily's auction-lot records when available.

## Sources

- Wikidata: https://www.wikidata.org/wiki/Q719447
- Wikipedia: https://en.wikipedia.org/wiki/Herman_Brood
- VIAF: https://viaf.org/viaf/38638516/
- Library of Congress: https://id.loc.gov/authorities/names/n96043127
- RKD: https://rkd.nl/en/explore/artists/12961
- Herman Brood Estate: http://www.hermanbrood.nl