# Harriet Hosmer artist context and auction value notes

Canonical page: https://appraisily.com/artist/harriet-hosmer/
Profile generated: 2026-08-24T15:33:07.780Z
Quality: medium confidence, adequate sources

## Artist identity

- Birth date: 1830-10-06
- Death date: 1908-02-21
- Nationality: American
- Movements: Neoclassicism
- Common media: Sculpture, Marble sculpture

## Portrait

![Harriet Hosmer](https://upload.wikimedia.org/wikipedia/commons/1/11/Harriet_Goodhue_Hosmer_by_Black_%26_Case_%28DLI_2013100010%29.jpg)
Black & Case · Public domain
Source: https://commons.wikimedia.org/wiki/File:Harriet_Goodhue_Hosmer_by_Black_%26_Case_(DLI_2013100010).jpg

## About Harriet Hosmer

Harriet Goodhue Hosmer (1830–1908) was an American sculptor associated with nineteenth-century Neoclassicism. Authority records identify her under both Harriet Hosmer and Harriet Goodhue Hosmer, while encyclopedic and institutional profiles consistently center her work on sculpture. Hosmer also lived within the expatriate artistic community in Rome, a setting that connected her with writers and artists working abroad. Collectors encounter her name especially in relation to marble sculpture and historically framed subjects; Britannica, for example, documents Zenobia, Queen of Palmyra. Her public reputation includes her position as a pioneering professional woman sculptor in the United States. The collected authorities also connect her to poetry and to technical work concerning artificial marble. For entity matching, the full name, exact life dates, American nationality, Neoclassical context, and stable authority identifiers provide the clearest basis for linking museum references, auction records, and appraisal research to the same artist.

## Common works and media

Auction and appraisal research is most likely to encounter Hosmer through sculpture, particularly works described as marble. Named historical or classical figures are relevant to her documented Neoclassical context, with Zenobia, Queen of Palmyra providing one established example. The source pack does not establish a reliable inventory of bronzes, casts, replicas, editions, drawings, or other work types, so those categories require object-specific and catalogue-level verification.

## Market and appraisal context

Works attributed to Hosmer should first be evaluated as sculpture, with close attention to the stated material and whether an object is described as marble. An identified subject or title can improve comparison with documented works, as the Zenobia example shows. Relevant public auction records should then be compared by work type, material, subject, and attribution language, with sale dates and realized prices read in their original lot context. The collected Appraisily page confirms an auction-record context, but the supplied source excerpts do not expose individual lots, edition or replica details, or a defensible price range. No market trend or price prediction is therefore offered; appraisal conclusions should rest on verified comparable lots and object-specific examination.

## Appraisily data basis

Appraisily artist pages combine artist-identity research with public auction records and auction-house context. When records are available, appraisal research considers comparable lots, sale dates, realized prices, work descriptions, and attribution language; the present source pack does not expose enough lot-level evidence to state a price range or trend for Harriet Hosmer.

## Sources

- IdRef: https://www.idref.fr/146209923
- Wikidata: https://www.wikidata.org/wiki/Q448214
- Encyclopædia Britannica: https://www.britannica.com/biography/Harriet-Goodhue-Hosmer
- National Gallery of Art: https://www.nga.gov/collection/artist-info.29494.html
- British Museum: https://www.britishmuseum.org/collection/term/BIOG84146
- Wikipedia: https://en.wikipedia.org/wiki/Harriet_Hosmer
- Appraisily: https://appraisily.com/artist/harriet-hosmer/