# Gustave Greux artist context and auction value notes

Canonical page: https://appraisily.com/artist/gustave-greux/
Profile generated: 2026-08-24T15:45:13.208Z
Quality: medium confidence, adequate sources

## Artist identity

- Birth date: 1838-07-27
- Nationality: French
- Common media: Engraving, Etching

## About Gustave Greux

Gustave Greux (1838–1919), also catalogued as Gustave-Marie Greux, was a French engraver active during the later nineteenth and early twentieth centuries. Surviving collection records associate him with etching and engraving, including interpretive prints made after compositions by other artists. Documented examples include a Bay of Naples scene after Baldomero Galofre, a rural horse-and-figure subject after Paul Potter, and etched views connected with Saint-Étienne-du-Mont and Notre-Dame de Paris. These records place Greux within the professional print culture through which paintings, architecture, and narrative subjects circulated to a wider audience. Collectors may therefore encounter his name on individual impressions, mounted prints, or works issued through period publications. Correct identification requires attention to the wording of signatures and inscriptions: Greux may be the engraver responsible for translating another artist's design rather than the originator of the underlying composition. The collected evidence does not establish a specific artistic movement or school.

## Common works and media

Works associated with Greux in the collected records are predominantly prints, especially etchings and engravings. Examples include interpretive prints after paintings by Paul Potter and Baldomero Galofre, along with architectural views of Paris churches. Figurative, rural, coastal, animal, and architectural subjects may therefore appear in auction or appraisal contexts. Catalogue descriptions should record the exact technique, dimensions, inscriptions, printer or publication information, date, and any named source artist.

## Market and appraisal context

Appraisal of a work attributed to Gustave Greux should begin by establishing the printmaking technique and Greux's stated role. An inscription identifying a work as engraved by Greux after another artist is materially different from evidence that he designed the original composition. Production date, image and sheet dimensions, publisher or printer information, inscriptions, documented institutional parallels, and the completeness and physical state of the impression can help distinguish comparable works. Subject matter may also narrow comparison among architectural views, figurative scenes, landscapes, and reproductive prints. The collected source pack does not provide detailed realized prices from major auction houses, so valuation should rely on verified comparable lots rather than broad price predictions.

## Appraisily data basis

Appraisily artist pages combine identity and authority research with auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are publicly available. Claims and valuations should be adjusted to the strength and specificity of the available evidence.

## Sources

- Wikidata: https://www.wikidata.org/wiki/Q35551909
- Bibliothèque nationale de France: https://catalogue.bnf.fr/ark:/12148/cb14975102w
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500155504
- VIAF: https://viaf.org/viaf/221799279/
- British Museum: https://www.britishmuseum.org/collection/term/BIOG29792
- Wikimedia Commons: https://commons.wikimedia.org/wiki/File:A_man_is_holding_his_hat_in_his_hand_and_hides_a_rope_behind_Wellcome_V0021761.jpg
- Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Pres_de_Naples_(Little_boys_playing_on_beach_in_the_Bay_of_Naples)_Gustave_Marie_Greux_from_Baldomero_Galofre.jpg
- Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Jub%C3%A9_de_Saint-Etienne_du_Mont._(IFF_45),_G.13464(1).jpg
- Appraisily: https://appraisily.com/artist/gustave-greux/