# Gunnar Nylund artist context and auction value notes

Canonical page: https://appraisily.com/artist/gunnar-nylund/
Profile generated: 2026-08-24T16:05:54.399Z
Quality: medium confidence, thin sources

## Artist identity

- Nationality: Swedish
- Common media: Ceramics, Stoneware, Matte feldspar-glazed stoneware, Hare's-fur and crystalline glazes

## Portrait

![Gunnar Nylund](https://upload.wikimedia.org/wikipedia/commons/f/f5/Gunnar_Nylund11.jpg)
Gunnar Nylund · see-source-page
Source: https://en.wikipedia.org/wiki/Gunnar_Nylund

## About Gunnar Nylund

Gunnar Nylund was a Swedish ceramic designer and artist associated with several important Scandinavian manufacturers and workshops. He worked at Bing & Grøndahl in Copenhagen from 1925 to 1928, then established a ceramics workshop with chemist Nathalie Krebs. That workshop became Saxbo in 1930 and continued producing his stoneware until 1932. Nylund joined Rörstrand in 1931 and remained there until 1955, serving for much of that period as artistic director. His work is particularly associated with stoneware, matte feldspar surfaces, hare's-fur effects, crystalline glazes, and ceramic animal sculptures. These varied affiliations matter because collectors may encounter pieces carrying different factory histories, forms, glaze treatments, and markings. In appraisal and auction settings, identifying the manufacturer, production period, material, surface, signature or inscription, and relationship to a documented Nylund design helps distinguish broadly similar Scandinavian ceramics and supports more meaningful comparison with recorded sales.

## Common works and media

Collectors may encounter Gunnar Nylund through stoneware vessels, other ceramic forms, and animal sculptures. Documented surface treatments include matte feldspar glazes, hare's-fur effects, and crystalline glazes. Works associated with Bing & Grøndahl, Saxbo, and Rörstrand can reflect different production periods and factory contexts, making marks, inscriptions, dimensions, material, glaze, and condition important descriptive details.

## Market and appraisal context

Gunnar Nylund works appear principally within decorative-art and sculpture auction contexts. An appraisal should compare the object with public sales of closely related forms rather than treating all works under his name as interchangeable. Manufacturer, production date, medium, dimensions, glaze, subject, signature or inscription, condition, restoration, provenance, and attribution confidence can all affect comparability. Animal sculptures should be assessed against similar subjects and materials, while vessels benefit from comparisons involving related forms, sizes, factory periods, and surface treatments. Auction results are starting points: private transactions may be absent, feeds may be incomplete, and reported prices may not treat buyer premiums and fees consistently.

## Appraisily data basis

Appraisily artist pages combine public artist-identity research with matched auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are available. Results should be interpreted with attention to attribution, condition, provenance, and reporting differences.

## Sources

- Wikipedia: https://en.wikipedia.org/wiki/Gunnar_Nylund
- Appraisily: https://appraisily.com/artist/gunnar-nylund/
- Wikidata: https://www.wikidata.org/wiki/Q123124599