# Giorgio Ghisi artist context and auction value notes

Canonical page: https://appraisily.com/artist/giorgio-ghisi/
Profile generated: 2026-08-24T16:14:11.740Z
Quality: medium confidence, adequate sources

## Artist identity

- Death date: 1582-12-15
- Nationality: Italian
- Movements: Late Mannerism, Italian Renaissance printmaking
- Common media: Engraving, Damascened metalwork

## About Giorgio Ghisi

Giorgio Ghisi was a sixteenth-century Italian engraver from Mantua whose career also included work in Antwerp and France. Authority and biographical records identify him primarily with engraving, while collected accounts also document his production of damascened metalwork. His work is placed within the Italian Renaissance and, more specifically, a late Mannerist context. The alternate name Giorgio Mantuano reflects his association with Mantua. Collectors are most likely to encounter Ghisi through prints, including compositions executed after designs by other artists. Such works require attention to the distinction between the designer of the composition and the engraver who translated it into print. Surviving metalwork represents a separate and exceptionally limited part of his documented practice. His activity across Mantua, Antwerp, and France also places his work within the international circulation of images and printmaking expertise during the sixteenth century.

## Common works and media

Works associated with Giorgio Ghisi most commonly appear in print contexts as engravings. Cataloguing may identify a particular state and may distinguish Ghisi's role as engraver from that of the artist who supplied the underlying design. The source pack also documents damascened metalwork, although it describes only two surviving examples, making metal objects an exceptional rather than routine category for attribution.

## Market and appraisal context

Ghisi's market should be assessed work by work rather than through a general price expectation. For engravings, useful distinctions include the composition, attribution, relationship to the original designer, recorded print state, dimensions, and whether measurements refer to the sheet or printed image. These details help identify the correct comparison among public auction records. Object type is also important because his documented engravings and damascened metalwork belong to materially different categories. The collected source pack does not contain condition reports, provenance histories, or item-level realized prices, so those factors require evidence from the object, cataloguing references, and comparable public sales before an appraisal conclusion can be formed.

## Appraisily data basis

Appraisily artist pages combine public artist-identity research with auction records and auction-house context. When available, sale dates, realized prices, and comparable lots are evaluated alongside work-specific evidence rather than treated as automatic proof of attribution or value.

## Sources

- Wikidata: https://www.wikidata.org/wiki/Q1010603
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500005693
- VIAF: https://viaf.org/viaf/41848430/
- Wikipedia: https://en.wikipedia.org/wiki/Giorgio_Ghisi
- Wikipedia: https://de.wikipedia.org/wiki/Giorgio_Ghisi
- Wikipedia: https://fr.wikipedia.org/wiki/Giorgio_Ghisi
- Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Giorgio_Ghisi_-_The_Calumny_of_Apelles.jpg
- Appraisily: https://appraisily.com/artist/giorgio-ghisi/