# Francesco Trevisani artist context and auction value notes

Canonical page: https://appraisily.com/artist/francesco-trevisani/
Profile generated: 2026-05-23T11:04:40.736Z
Quality: high confidence, strong sources

## Artist identity

- Birth date: 1656-04-09
- Death date: 1746-07-30
- Nationality: Italian
- Movements: Late Baroque, Early Rococo
- Common media: oil painting, fresco, drawing

## About Francesco Trevisani

Francesco Trevisani (1656–1746) was an Italian painter, draftsperson, and poet whose long career bridged the late Baroque and early Rococo periods in Rome. Born in Capodistria (now Koper, Slovenia) and trained by his father, the architect Antonio Trevisani, he moved to Rome where he became a leading figure in the circle of Carlo Maratta, the dominant Roman painter of the era. Trevisani earned the epithet "il Romano" and the title Cavaliere in recognition of his standing in the Roman art world. His masterwork is generally considered the fresco cycle in San Silvestro in Capite, completed around 1696. He produced religious compositions, mythological scenes, and portraits for churches, private patrons, and collectors across Italy and beyond. His refined classicizing style, characterized by elegant figure drawing and soft coloring, made his work sought after by the Roman elite and by foreign visitors on the Grand Tour.

## Common works and media

Trevisani's most frequently encountered works include oil-on-canvas devotional paintings of the Madonna and Child, saints, and Passion scenes, typically in cabinet to altar-scale dimensions. He also produced mythological and allegorical compositions, portraits, and preparatory drawings in pen, ink, and wash. Fresco decorations, while central to his career, are immovable and do not appear at auction. Prints and engravings after his compositions were widely circulated in the 18th century and occasionally surface as collectible works on paper.

## Market and appraisal context

Francesco Trevisani's work appears regularly in the Old Master Paintings and Old Master Drawings categories at major auction houses. His substantial output and the workshop practices of his era mean that attribution can be nuanced; collectors should seek specialist confirmation when a work is catalogued as "attributed to," "circle of," or "follower of" Trevisani. Provenance, condition reports, and scholarly references are key factors in assessing his paintings. Cabinet-sized devotional paintings and finished drawings are the formats most commonly encountered at auction, as his large fresco cycles remain in situ in Roman churches. With nearly 300 auction records tracked, Trevisani has a consistent but modest market profile within the broader Italian Old Master field.

## Appraisily data basis

Appraisily artist pages combine structured artist identity research from authority files and scholarly sources with auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are available. For Francesco Trevisani, identity data is grounded in Getty ULAN, VIAF, RKD, and Wikidata authority records, supplemented by encyclopedia and biographical sources.

## Sources

- RKD: https://rkd.nl/en/explore/artists/78180
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500005125
- VIAF: https://viaf.org/viaf/9903574/
- Wikidata: https://www.wikidata.org/wiki/Q963875
- Wikipedia: https://en.wikipedia.org/wiki/Francesco_Trevisani
- Library of Congress: https://id.loc.gov/authorities/names/nr89014876