# Francesco Londonio artist context and auction value notes

Canonical page: https://appraisily.com/artist/francesco-londonio/
Profile generated: 2026-08-24T12:15:37.831Z
Quality: medium confidence, adequate sources

## Artist identity

- Birth date: 1723-10-07
- Death date: 1783-12-26
- Nationality: Italian
- Movements: Late Baroque, Rococo
- Common media: Painting, Etching and engraving, Drawing, Stage and set design

## Portrait

![Francesco Londonio](https://upload.wikimedia.org/wikipedia/commons/thumb/b/b8/Francesco_londonio%2C_autoritratto%2C_1770_circa.JPG/1280px-Francesco_londonio%2C_autoritratto%2C_1770_circa.JPG)
Sailko · CC BY 3.0
Source: https://commons.wikimedia.org/wiki/File:Francesco_londonio,_autoritratto,_1770_circa.JPG

## About Francesco Londonio

Francesco Londonio (1723–1783) was an Italian painter, etcher, draftsman, engraver, and designer associated principally with Milan. Authority records identify him across several artistic roles, while art-historical summaries place his career in the transition between late Baroque and Rococo practice. Landscapes are a firmly documented subject within his work, and surviving descriptions also connect him with rustic imagery. Londonio worked across paintings, drawings, and prints rather than in a single medium, an important distinction when identifying objects attributed to him. His activity as a set or stage designer further reflects the range of visual production in eighteenth-century Milan. Collectors may encounter his name on paintings and works on paper, particularly etchings, engravings, and drawings. Variant forms such as Londoni, Lodonia, Londonio Milanese, and François Londonio also appear in authority records and can be useful when researching historical catalogues or collection documentation.

## Common works and media

Collectors are most likely to encounter paintings, landscape-related compositions, drawings, etchings, and engravings associated with Londonio. Works on paper should be distinguished carefully by technique, since an original drawing, an individual print impression, and a later reproduction are different object types. Historical records may also connect Londonio with rustic subjects and theatrical design, although the available sources provide less detail about surviving stage-design material.

## Market and appraisal context

Works associated with Londonio can enter the market as paintings, drawings, etchings, engravings, and other works on paper. Appraisal should begin by establishing the object type and examining how its medium and subject compare with documented works, especially landscapes. Public auction records can provide useful comparables when they concern a similar category of object, but an artist-level sales history does not establish the value of an individual work. Attribution, physical characteristics, condition, ownership history, inscriptions, and the quality of available documentation still require object-specific review. The present source pack supports Londonio's identity and artistic media more strongly than it supports detailed conclusions about prices, market direction, or the relative scarcity of particular work types.

## Appraisily data basis

Appraisily artist pages combine researched artist identity data with available auction records, auction-house context, sale dates, realized prices, and comparable lots. Object-specific attribution and value conclusions require separate evidence and examination.

## Sources

- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500026530
- IdRef: https://www.idref.fr/03521161X
- VIAF: https://viaf.org/viaf/30344095/
- Wikidata: https://www.wikidata.org/wiki/Q3750167
- Wikipedia: https://en.wikipedia.org/wiki/Francesco_Londonio
- Wikipedia: https://pt.wikipedia.org/wiki/Francesco_Londonio
- Appraisily: https://appraisily.com/artist/francesco-londonio/