# Federico del Campo artist context and auction value notes

Canonical page: https://appraisily.com/artist/federico-del-campo/
Profile generated: 2026-08-24T12:48:14.061Z
Quality: medium confidence, adequate sources

## Artist identity

- Nationality: Peruvian
- Movements: Vedute (Venetian view painting)
- Common media: Oil on canvas (documented example)

## About Federico del Campo

Federico del Campo (1837–1923) was a Peruvian painter whose career is chiefly associated with Venice. Wikidata and VIAF agree on his nationality, occupation, and life years, while Getty ULAN supplies a stable artist identifier. Public biographical summaries describe him as a notable nineteenth-century painter of Venetian vedute: urban views presenting the city and its architecture. English tourists formed an important audience for these scenes, and the available account indicates that demand led him to revisit some views more than once. Collectors therefore encounter del Campo principally through Venetian view paintings rather than through a broadly documented range of genres. Repeated compositions make it important to distinguish one version from another through object-level evidence rather than through subject resemblance alone. The present source pack establishes his identity and Venetian context more securely than it establishes his training, complete chronology, or full catalogue of works.

## Common works and media

The source pack most clearly documents Venetian vedute: city views centered on Venice and its architecture. One collected image caption identifies an oil-on-canvas view of Palazzo Cavalli-Franchetti, while the biography indicates that popular views could be painted more than once. The pack does not establish a broader body of prints, sculpture, ceramics, drawings, posters, or numbered editions; works in those categories would require separate attribution evidence.

## Market and appraisal context

Del Campo's market is best approached work by work. The collected sources support Venetian views as his principal auction context and indicate that he repeated certain popular scenes. An apparently familiar composition should therefore not automatically be treated as the same object, version, or date. The current pack provides artist identity and broad subject context but no item-level cataloguing, provenance, condition reports, or realized prices from a major auction house. It cannot support a price trend or forecast. A valuation should use verified public sales whose object details can be checked and treat authorship, materials, size, condition, provenance, and date as object-level questions requiring evidence beyond this profile.

## Appraisily data basis

Appraisily artist pages combine public artist-identity research with auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are available. This profile's identity evidence is stronger than its item-level market evidence.

## Sources

- Wikidata: https://www.wikidata.org/wiki/Q5857931
- VIAF: https://viaf.org/viaf/304931784/
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500045169
- Wikipedia: https://en.wikipedia.org/wiki/Federico_del_Campo
- Wikipedia: https://it.wikipedia.org/wiki/Federico_del_Campo
- Appraisily: https://appraisily.com/artist/federico-del-campo/