# Emile Gilioli artist context and auction value notes

Canonical page: https://appraisily.com/artist/emile-gilioli/
Profile generated: 2026-05-07T18:10:00.000Z
Quality: high confidence, strong sources

## Artist identity

- Birth date: 1911-06-10
- Death date: 1977-01-19
- Nationality: French
- Movements: Abstract sculpture (French postwar)
- Common media: sculpture, painting, tapestry design, drawing

## About Emile Gilioli

Émile Gilioli (1911–1977) was a French sculptor, painter, draftsman, and tapestry designer recognized as a leading figure of abstract sculpture in postwar France. Born on June 10, 1911, he trained in the studio of Boucher beginning in 1931 and remained active until his death on January 19, 1977. During the 1940s he lived in Saint-Martin-de-la-Cluze near Grenoble, a period that preceded his emergence in the 1950s as a prominent abstract sculptor. His work is held in major museum collections including the Museum of Modern Art in New York and Tate in London, and he participated in notable international exhibitions such as Sonsbeek 1955. Gilioli's output spans monumental bronze sculptures, smaller editioned works, paintings, drawings, and tapestry designs, making him a multifaceted presence in twentieth-century French art.

## Common works and media

Gilioli is most commonly encountered in appraisal and auction contexts as a sculptor working in bronze, often in editions with documented foundry marks. His output also includes plaster casts and maquettes for larger commissions, paintings, drawings, and tapestry designs. Subjects range from purely abstract forms characteristic of postwar French sculpture to more stylized figurative works. Collectors may also encounter exhibition posters and prints related to his show history.

## Market and appraisal context

Gilioli's work appears regularly at auction, with over 570 cataloged lots. Key factors affecting appraisal include the distinction between monumental public commissions and smaller editioned bronzes or unique plasters, foundry marks and edition numbering, provenance linking works to documented exhibitions or estates, and condition of both metal and plaster surfaces. Works from his 1950s abstract period, when his reputation was established, tend to attract the strongest collector interest. Collectors should verify authenticity through documented provenance, foundry records, or comparison with museum-held examples such as those at MoMA and Tate.

## Appraisily data basis

Appraisily artist pages combine structured artist-identity research from museum, library-authority, and biographical sources with auction records, sale dates, realized prices, and comparable lots when those records are available. For Émile Gilioli, identity data is grounded in authority files from Getty ULAN, VIAF, the Library of Congress, RKD, and museum holdings at MoMA and Tate.

## Sources

- RKD: https://rkd.nl/en/explore/artists/31670
- VIAF: https://viaf.org/viaf/93499934/
- Wikidata: https://www.wikidata.org/wiki/Q285945
- Library of Congress: https://id.loc.gov/authorities/names/n79112548
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500026454
- The Museum of Modern Art: https://www.moma.org/artists/2157
- Tate: https://www.tate.org.uk/art/artists/emile-gilioli-1166
- Wikipedia: https://en.wikipedia.org/wiki/%C3%89mile_Gilioli