# Edward Paschke artist context and auction value notes

Canonical page: https://appraisily.com/artist/edward-paschke/
Profile generated: 2026-05-09T15:09:09.820Z
Quality: high confidence, strong sources

## Artist identity

- Birth date: 1939-06-22
- Death date: 2004-11-25
- Nationality: American
- Movements: Chicago Imagists
- Common media: painting, prints

## About Edward Paschke

Edward Francis Paschke Jr. (1939–2004) was an American painter and a leading figure associated with the Chicago Imagists. Born and based in Chicago, he studied at the School of the Art Institute of Chicago, earning a BA in 1961 and an MA in 1970. Early exposure to the Art Institute's exhibitions of Gauguin, Picasso, and Seurat shaped his visual vocabulary. Paschke's work is known for vivid, psychologically charged figurative paintings that draw on popular culture, mass media, and subcultural imagery. His canvases often feature luminous, airbrush-like surfaces with distorted human forms exploring themes of celebrity, spectacle, and identity. Active from the mid-1970s until his death in 2004, Paschke exhibited widely and his work is held in the permanent collection of the Museum of Modern Art in New York, among other institutions. Collectors encounter his paintings, prints, and works on paper at major auction houses and galleries.

## Common works and media

Paschke is best known for large-scale oil-on-canvas figurative paintings featuring distorted portraits and cultural archetypes rendered in saturated color. He also produced screenprints, lithographs, and other editioned prints, as well as works on paper including drawings and mixed-media pieces. Subject matter centers on human figures drawn from media imagery, nightlife, and popular culture. Works may be signed, dated, and numbered where applicable; print editions should be checked for size and edition count.

## Market and appraisal context

Edward Paschke's works appear regularly at auction, with nearly 500 recorded lots across major houses. Value depends on medium, scale, date of execution, provenance, and condition. Large oil paintings from his peak Imagist period of the 1970s and 1980s tend to attract the strongest demand. Prints and works on paper provide more accessible entry points. Collectors should verify authenticity and review exhibition or publication history, as works with documented institutional provenance generally carry a premium. Comparable auction results and specialist consultation are recommended for appraisal.

## Appraisily data basis

Appraisily artist pages combine artist identity research from museum, library authority, and institutional sources with auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are available. This profile draws on MoMA, the Getty ULAN, VIAF, the RKD, Wikidata, and Wikipedia.

## Sources

- RKD: https://rkd.nl/en/explore/artists/61969
- The Museum of Modern Art: https://www.moma.org/artists/4513
- Wikidata: https://www.wikidata.org/wiki/Q3047197
- VIAF: https://viaf.org/viaf/240149066400165601051/
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500018520
- Wikipedia: https://en.wikipedia.org/wiki/Ed_Paschke
- Library of Congress: https://id.loc.gov/authorities/names/n85819525