# Edmund F. Ward artist context and auction value notes

Canonical page: https://appraisily.com/artist/edmund-f-ward/
Profile generated: 2026-08-24T20:26:09.279Z
Quality: medium confidence, adequate sources

## Artist identity

- Birth date: 1892-01-03
- Death date: 1990-12-14
- Nationality: American
- Common media: Oil paint, Wash, Watercolor

## About Edmund F. Ward

Edmund F. Ward, identified in authority records as Edmund Franklin Ward (1892–1990), was an American illustrator and painter associated with magazine storytelling. He contributed illustrations to The Saturday Evening Post before turning twenty and later became a recurring visual interpreter of the publication’s Alexander Botts and Assistant District Attorney Doowinkle stories. Available biographical material emphasizes his range rather than one fixed style: Ward worked in oils, wash, and watercolor, moving between dark tonal treatments and humorous imagery. Collectors may therefore encounter his name on works made in different techniques and for different narrative settings. His documented career belongs primarily to the history of American commercial and narrative illustration, where a picture’s connection to a particular story or publication can help establish its context. Wikidata, VIAF, Getty ULAN, and Library of Congress authority records provide stable identifiers that help distinguish Ward from other artists with the same surname.

## Common works and media

Documented work types include narrative illustrations in oil, wash, and watercolor. Ward’s best-established subject context is magazine storytelling, including humorous scenes and recurring-character stories produced for The Saturday Evening Post. Works associated with the Alexander Botts or Assistant District Attorney Doowinkle series may be encountered as illustration art, while other examples may reflect the darker tonal side of his practice. Medium, narrative subject, and evidence of a publication connection are useful starting points for classifying a work before selecting comparable auction records.

## Market and appraisal context

An appraisal of an Edmund F. Ward work should begin by identifying its medium and intended function, since an oil image and a wash or watercolor illustration belong to different comparison groups. Documented publication context can also be important, particularly a connection to The Saturday Evening Post or to the recurring Alexander Botts and Assistant District Attorney Doowinkle stories. Ward’s stylistic range means that dark tonal work and humorous imagery should be compared with suitably similar examples. The supplied source pack does not include accessible major-auction-house analysis or individual realized-price details, so it does not support a price forecast. Any valuation should use comparable public sales that match the object’s technique, subject, date, and documented illustration context as closely as the available records permit.

## Appraisily data basis

Appraisily artist pages combine public artist-identity research with auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are available. Identity and market evidence are evaluated separately so that authority matching does not imply authentication or a specific value.

## Sources

- Wikidata: https://www.wikidata.org/wiki/Q5339476
- VIAF: https://viaf.org/viaf/64086112/
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500004414
- Library of Congress: https://id.loc.gov/authorities/names/no2007021220
- Wikipedia: https://en.wikipedia.org/wiki/Edmund_Franklin_Ward
- Wikipedia: https://de.wikipedia.org/wiki/Edmund_Franklin_Ward
- Wikipedia: https://ar.wikipedia.org/wiki/%D8%A5%D8%AF%D9%85%D9%88%D9%86%D8%AF_%D9%81%D8%B1%D8%A7%D9%86%D9%83%D9%84%D9%8A%D9%86_%D9%88%D8%A7%D8%B1%D8%AF
- Appraisily: https://appraisily.com/artist/edmund-f-ward/