# Daniel Maltzman artist context and auction value notes

Canonical page: https://appraisily.com/artist/daniel-maltzman/
Profile generated: 2026-08-24T17:09:21.397Z
Quality: low confidence, thin sources

## Artist identity

- Nationality: American
- Movements: Pop Surrealism, Contemporary art
- Common media: Painting, Layered and dripping abstract painting

## Portrait

![Daniel Maltzman](https://upload.wikimedia.org/wikipedia/commons/4/4a/Daniel_Maltzman_on_RealTVfilms.jpg)
Daniel Maltzman · see-source-page
Source: https://en.wikipedia.org/wiki/Daniel_Maltzman

## About Daniel Maltzman

Daniel Maltzman is an American contemporary artist associated in available public references with Pop-Surrealist painting. The collected sources describe a Los Angeles-based practice that draws on art-historical precedents, including Gerhard Richter and Andy Warhol, while developing a vocabulary of layered, dripping abstractions, emphatic female figures, and shadow-like figures. These descriptions suggest that collectors may encounter both abstract and figurative paintings rather than a single uniform body of work. Public identity documentation for Maltzman remains limited in this source pack: Wikidata confirms the basic identity of an American artist, while Wikipedia supplies most of the stylistic detail. No birth date, formal training, exhibition history, institutional collection record, or authoritative catalogue information was available in the collected material. Accordingly, the artist's identity and broad contemporary context can be stated, but more specific biographical, chronological, and movement claims should remain provisional until supported by an official artist source, museum record, or fuller library authority file.

## Common works and media

The limited descriptive sources most clearly identify paintings, including layered or dripping abstractions, strong female figures, and a series of shadow figures. The source pack does not independently establish a reliable market history for prints, sculpture, mixed media, decorative objects, or editions, so those categories should not be treated as characteristic without examining the specific object and its documentation.

## Market and appraisal context

Market evidence in the collected pack is currently insufficient for a price-level conclusion. Appraisily's public page reported no matched or priced auction records at collection time, even though the source input carries a larger raw directory count; this discrepancy should be reconciled before interpreting liquidity or typical results. Appraisal should therefore begin with object-level evidence: medium, dimensions, date, condition, restoration, signature or inscriptions, attribution confidence, provenance, exhibition history, catalogue references, edition information where relevant, subject matter, and genuinely comparable public sales. Comparables should match the same work type and use consistent price reporting, because some published results may include buyer's premium while others may not. Private sales, incomplete feeds, and later attribution changes can also leave public auction data incomplete.

## Appraisily data basis

Appraisily artist pages combine public artist-identity research with matched auction records, auction-house context, sale dates, realized prices, and comparable lots when those records are available. For Daniel Maltzman, the collected identity and stylistic evidence is limited, and the available Appraisily excerpt reported no matched auction records.

## Sources

- Wikidata: https://www.wikidata.org/wiki/Q16195189
- Wikipedia: https://en.wikipedia.org/wiki/Daniel_Maltzman
- Wikipedia: https://arz.wikipedia.org/wiki/%D8%AF%D8%A7%D9%86%D9%8A%D9%84_%D9%85%D8%A7%D9%84%D8%AA%D8%B2%D9%85%D8%A7%D9%86
- Appraisily: https://appraisily.com/artist/daniel-maltzman/