# Daniel Garber artist context and auction value notes

Canonical page: https://appraisily.com/artist/daniel-garber/
Profile generated: 2026-05-16T10:29:09.269Z
Quality: high confidence, strong sources

## Artist identity

- Birth date: 1880-04-11
- Death date: 1958-07-05
- Nationality: American
- Movements: American Impressionism, New Hope School (Pennsylvania Impressionism)
- Common media: oil painting, etching, watercolor

## About Daniel Garber

Daniel Garber (1880–1958) was an American Impressionist painter, etcher, and watercolorist central to the New Hope art colony in Bucks County, Pennsylvania. Born in North Manchester, Indiana, he studied at the Pennsylvania Academy of the Fine Arts and later taught there for more than four decades. Garber is best known for luminous landscape paintings of the Delaware River valley, often featuring dappled light filtering through trees and across water. Beyond his signature landscapes, he produced accomplished figurative interior scenes and a respected body of etchings. His work anchors the Pennsylvania Impressionist movement, and his paintings are held in major American museum collections. Collectors frequently encounter Garber's work at auction, where his large canvas landscapes and etchings represent the most visible segments of his market.

## Common works and media

Garber's auction and appraisal record includes oil on canvas landscapes of the Delaware River and Bucks County countryside, figurative interior compositions, etchings of rural and architectural subjects, and watercolors. His most frequently encountered works at auction are landscape paintings in oil, often depicting wooded scenes, quarries, and river views in spring or autumn light. Etchings—typically smaller editions on paper—circulate regularly and cover similar subjects. Watercolors and drawings appear less often but are part of his documented output.

## Market and appraisal context

Garber's large oil landscapes of the Delaware River region are the most sought-after works at auction, with subject matter, scale, and condition all affecting value significantly. His etchings and watercolors appear more regularly in the market and generally trade at lower tiers. Provenance is an important factor: works with exhibition history or descent from the artist's estate carry stronger collector confidence. As with other Pennsylvania Impressionist painters, attribution should be verified through expert review, especially for unsigned or lesser-documented works. Appraisals should account for medium, date, dimensions, and condition alongside comparable auction results.

## Appraisily data basis

Appraisily artist pages combine artist identity research from authority files, museums, and scholarly sources with auction records, sale dates, realized prices, and comparable lots when those records are available. For Daniel Garber, identity data is grounded in the Getty ULAN authority file, the RKD Netherlands Institute for Art History, VIAF, and Wikidata. Market observations draw on general American Impressionist auction patterns and the artist's documented output; specific price guidance requires review of comparable sale records.

## Sources

- RKD — Netherlands Institute for Art History: https://rkd.nl/en/explore/artists/30193
- Wikidata: https://www.wikidata.org/wiki/Q5217239
- Wikipedia: https://en.wikipedia.org/wiki/Daniel_Garber
- Getty Vocabulary Program: https://vocab.getty.edu/page/ulan/500029187
- VIAF: https://viaf.org/viaf/6145820/
- Library of Congress: https://id.loc.gov/authorities/names/n80107294