# Charles Camoin artist context and auction value notes

Canonical page: https://appraisily.com/artist/charles-camoin/
Profile generated: 2026-05-02T14:26:12.144Z
Quality: high confidence, strong sources

## Artist identity

- Birth date: 1879-09-23
- Death date: 1965-05-20
- Nationality: French
- Movements: Fauvism, Expressionism
- Common media: Oil painting, Pastel, Watercolor, Printmaking / graphic art

## About Charles Camoin

Charles Camoin (1879–1965) was a French painter associated with the Fauvist movement, known for vibrant landscapes, still lifes, and figurative works. Born in Marseille, he trained in Paris from 1896 and emerged as part of the circle around Henri Matisse and Albert Marquet, with whom he maintained lifelong friendships and frequent painting trips. A visit to Claude Monet at Giverny in 1903 reinforced his commitment to color-driven landscape painting. Camoin exhibited at the landmark 1913 Armory Show in New York, which introduced modern European art to American audiences. Over his long career he maintained studios in Montmartre, focusing on still lifes and nudes, and in Saint-Tropez, where he spent summers painting Mediterranean landscapes. His work is held by major institutions including the Museum of Modern Art in New York.

## Common works and media

Collectors most frequently encounter Camoin oils on canvas depicting southern French landscapes, harbor scenes, and coastal views, particularly of Saint-Tropez and its surroundings. Still lifes of flowers and everyday objects, portraits, and nude studies also appear regularly at auction. Pastels and watercolors of similar subjects circulate as well, often at lower price points than oils. A smaller number of graphic works and prints round out the market.

## Market and appraisal context

Charles Camoin's auction market is broad and active, with 655 catalogued lots of which 436 carry a recorded sale price. Auction activity stretches from October 1998 through March 2026, and volume has increased in the most recent twelve months (36 lots versus 25 in the prior period), suggesting sustained collector interest. His work is traded across a wide roster of international houses—Christie's, Sotheby's, Artcurial, Osenat, Tajan, Lempertz, Hampel, Koller, Swann, and others—spanning France, Germany, Switzerland, the United Kingdom, and the United States. Oil paintings of southern French landscapes, still lifes, and portraits dominate the offering. Prices are widely dispersed: the recorded minimum is $50 (typically a print or small work on paper) while the maximum reaches $1,900,000. The interquartile range of roughly $5,000–$24,000 captures most priced lots, with a median near $10,200. Premium results tend to be early Fauve-period oils or large Mediterranean landscapes, while later still lifes, portraits, and works on paper generally fall in the mid-four to low-five-figure range.

## Auction-house-backed market evidence

Charles Camoin's auction market is broad and active, with 655 catalogued lots of which 436 carry a recorded sale price. Auction activity stretches from October 1998 through March 2026, and volume has increased in the most recent twelve months (36 lots versus 25 in the prior period), suggesting sustained collector interest. His work is traded across a wide roster of international houses—Christie's, Sotheby's, Artcurial, Osenat, Tajan, Lempertz, Hampel, Koller, Swann, and others—spanning France, Germany, Switzerland, the United Kingdom, and the United States. Oil paintings of southern French landscapes, still lifes, and portraits dominate the offering. Prices are widely dispersed: the recorded minimum is $50 (typically a print or small work on paper) while the maximum reaches $1,900,000. The interquartile range of roughly $5,000–$24,000 captures most priced lots, with a median near $10,200. Premium results tend to be early Fauve-period oils or large Mediterranean landscapes, while later still lifes, portraits, and works on paper generally fall in the mid-four to low-five-figure range.

### Appraisal notes

An Appraisily appraisal for a Charles Camoin work would draw on these 655 auction records to establish comparable-sale context. The appraiser would photograph the work, record exact dimensions, identify the medium (oil on canvas, pastel, watercolor, or print), note the signature and any inscriptions, assess condition, and document provenance history. The catalogue raisonné or expert committee opinion may be referenced for authentication. Comparable lots would be selected by matching medium, subject, size, date range, and condition, with particular weight given to works from the same period (e.g., Fauve-period landscapes circa 1900–1910 command a premium over later production). The broad price dispersion means that even within a single medium, selecting appropriate comparables is essential; a small late still life and an early Mediterranean landscape may differ by an order of magnitude in value.

### Valuation factors

- Medium: oil paintings consistently command higher prices than pastels, watercolors, or prints; within oils, larger canvases and landscapes tend to outperform smaller still lifes
- Period: early Fauve-period works (circa 1900–1910) are scarcer and typically more valuable than post-war production
- Subject: Mediterranean landscapes and Saint-Tropez harbor scenes are among the most sought-after subjects; still lifes and portraits are more commonly available
- Provenance: works with documented exhibition history, notable collection provenance (e.g., Jacques Thalheimer collection), or Armory Show pedigree may carry added significance
- Condition: as with all twentieth-century works on canvas and paper, condition reports and any restoration history materially affect value
- Dimensions: larger works generally sell for more, though exceptional early small oils can outperform larger late works
- Authentication: reference to the catalogue raisonné or expert committee opinion can support or undermine attribution confidence
- Auction-house tier: results at Christie's and Sotheby's tend to anchor the upper end of the market, while regional French and German houses handle mid-range material

### Collector notes

- Camoin's market is liquid enough (655 lots, active at major and regional houses) that both buyers and sellers can find reasonable comparable-sale evidence for most work types.
- Entry-point collecting is feasible: works on paper and prints appear at auction from roughly €900–€5,000, while mid-range oils typically fall between €5,000 and €25,000.
- The top of the market (early Fauve-period oils, large landscapes) can reach six or seven figures; buyers at this level should insist on full provenance documentation and catalogue raisonné verification.
- Recent twelve-month volume (36 lots) is higher than the prior period (25 lots), indicating healthy supply—buyers have selection, but sellers face competition.
- Works appearing at Christie's and Sotheby's tend to have fuller cataloguing and condition reporting; lots at regional houses may require additional due diligence.
- Multi-currency results (USD, EUR, CHF) are common; when comparing lots, account for exchange-rate timing and buyer's premium differences across houses.

### Market caveats

- The price distribution spans $50 to $1,900,000; any single lot's result is not representative of the market as a whole. Comparable selection by medium, period, size, and condition is essential.
- Several recent lots in the source pack lack a realized price, indicating they may have been bought in or that results are not yet published. This biases the observable sample toward sold lots.
- Auction results reflect hammer or inclusive prices that may or may not include buyer's premium depending on the reporting source; direct price comparisons across houses should account for this.
- Camoin's long career (active circa 1898–1964) means works range from Fauve-period oils to late-career studio still lifes; the market treats these periods very differently.
- Authentication may require catalogue raisonné reference or expert committee review; attribution uncertainty can materially reduce or eliminate market value.

### Market evidence sources

- Appraisily auction record index: https://appraisily.com/api/scraper-search/artists/charles-camoin/seo-profile?recentLimit=24&relatedLimit=0
- Invaluable (Nadeau's Auction Gallery): https://www.invaluable.com/auction-lot-charles-camoin-french-1879-1965-nature-morte-aux-fleurs-et-fruits-circa-1963-still-life-depicting-a-vibrant-bouquet-of-pink-red-and-violet-flowers-arranged-in-a-green-vase-beside-a-patterned-ceramic-bowl-filled-310-c-e77dbdb93c
- Invaluable (Millon Riviera): https://www.invaluable.com/auction-lot-charles-camoin-1879-1965-351-c-0d3fb70577
- Invaluable (Osenat): https://www.invaluable.com/auction-lot-charles-camoin-france-1879-1965-collection-jacques-thalheimer-bouquet-d-anemones-boite-d-al-150-c-bfaa319a31
- Invaluable (Osenat): https://www.invaluable.com/auction-lot-charles-camoin-1879-1965-portrait-d-enfant-huile-sur-toile-signe-en-bas-a-droite-38-x-46-c-112-c-970da5b673
- Invaluable (Hampel Fine Art Auctions): https://www.invaluable.com/auction-lot-charles-camoin-1879-marseille-1965-paris-447-c-ec0121a01b
- Invaluable (Swann Auction Galleries): https://www.invaluable.com/auction-lot-charles-camoin-1879-1965-nature-morte-aux-fleurs-147-c-78b57b3092
- Invaluable (Gros-Delettrez): https://www.invaluable.com/auction-lot-charles-camoin-1879-1965-bouquet-de-courgent-circa-1953-29-c-0e5e9d95cd
- Invaluable (Lempertz): https://www.invaluable.com/auction-lot-charles-camoin-bords-de-l-arc-1907-114-c-c70c170d3f
- Invaluable (Hampel Fine Art Auctions): https://www.invaluable.com/auction-lot-charles-camoin-1879-marseille-1965-paris-343-c-b734497b40
- Invaluable (Auktionshaus Mehlis GmbH): https://www.invaluable.com/auction-lot-charles-camoin-stillleben-mit-obstteller-und-kanne-4692-c-8614524b0b

## Appraisily data basis

This Appraisily artist page combines verified identity data from museum records, library authority files, and scholarly databases with public auction records, sale dates, realized prices, and comparable lot information when available. Sources include the RKD (Netherlands Institute for Art History), the Museum of Modern Art, VIAF, the Library of Congress, and Wikidata.

## Sources

- RKD (Netherlands Institute for Art History): https://rkd.nl/en/explore/artists/14971
- The Museum of Modern Art: https://www.moma.org/artists/935
- VIAF (Virtual International Authority File): https://viaf.org/viaf/151851/
- Library of Congress: https://id.loc.gov/authorities/names/nr92043705
- Wikidata: https://www.wikidata.org/wiki/Q968285
- Wikipedia: https://en.wikipedia.org/wiki/Charles_Camoin